杨兴雅1946年生于辽宁省丹东市，1964年毕业于丹东艺术学校。中国油画新传承主义创导者。作品在日本（東京银座地球堂，京都法然院，吉川市政厅)，法国（里昂托尼－卡尼尔城市博物馆)，德国（德国中国友好协会.济根)，美国(纽约阿姆斯特丹惠特尼画廊)，匈牙利(布达佩斯中欧文化交流书画邀请展)，俄罗斯(莫斯科俄罗斯国立装饰艺术博物馆.中国当代绘画艺术展)，中国香港(洲际酒店)等地展出。在北京(吴东魁美术馆)，澳大利亚(墨尔本)举办个展。其中作品(夏)为日本皇后收藏。

Born in 1946 in Dandong, Liaoning Province, Yang Xingya graduated from Dandong Art School in 1964. Pioneer of new inheritance of Chinese oil painting. Works in Japan (Ginza Earth Hall, Tokyo, Kyoto Nokanwon, Yoshikawa City Hall), France (Lyon Toni Carnier City Museum), Germany (Germany China Friendship Association. Zegen), USA (Whitney Gallery Amsterdam, New York), Hungary (Painting and Calligraphy Invitational Exhibition of Sino-European Cultural Exchange, Budapest), Russia (Russian State Museum of Decorative Arts, Moscow). Chinese contemporary Painting art Exhibition), Hong Kong, China (intercontinental Hotel) and other places. Solo exhibitions in Beijing (Wu Dongkui Art Museum) and Australia (Melbourne). One of the works (Xia) for the Japanese empress collection.

山魂120/220Cm

无象之象120/220Cm

千秋178/154cm

法通东西创新功 独树一帜显风流——记著名画家杨兴雅

油画从古典主义向当代超写实的方向进取，出现了很多超写实的油画家，但是很难说这是准确的油画发展方向，因为超写实以“技”为主要表现形式的制作方法多一些，而以“文化”为核心的创作境界却显得稀少。油画如何发展，更为切题的方向在哪里？当代著名油画家杨兴雅先生的油画新传承主义倡导，让人耳目一新，眼前一亮！应该是油画的新思路，发展的新方向！

Fattong east and West innovation is unique and romantic -- a record of Yang Xingya, a famous painter

Oil painting is progressing from classicism to contemporary hyperrealistic direction, and there are many hyperrealistic oil painters, but it is difficult to say that this is the accurate direction of oil painting development, because hyperrealistic production methods with "technology" as the main form of expression are more, while the creation realm with "culture" as the core is rare. How did oil painting develop and where was the more relevant direction? Yang Xingya, a famous contemporary oil painter, advocated the new inheritance of oil painting, which is refreshing and dazzling! Should be a new idea of oil painting, the new direction of development!

煌80/80㎝

翠30/40cm

一束幽香40/30cm

油画新传承主义的核心价值，仍旧是“油画”的本质，对古典主义的造型仍旧持有核心的传承值守，所以他的油画在创新的路径上，就不会失序，更不会脱轨。用画笔去画油画之外的野路子，画让人看不懂的野兽派，这不是杨兴雅先生的选择。他自觉与非正序的油画创作划清界限，所以是油画品质的传承者，传承仍旧是主题价值。

The core value of the new inheritance of oil painting is still the essence of "oil painting", and it still holds the core inheritance and duty of classicism, so his oil painting will not be out of order or derailed on the path of innovation. Yang Xingya chose not to use the brush to paint the wild way outside the oil painting, and to paint the brutalism that people could not understand. He consciously draws a clear line with irregular oil painting creation, so he is the inheritor of oil painting quality, inheritance is still the theme value.

象1）100/100cm

象2）100/100cm

城市100/100cm

“新”是他的文化智慧在油画传承过程所生发出来的创建造诣。新在何处？不得不说一下他传统文化修为的精深。他虽然是手执油画之笔，技修为西，传统文化磨砺却是心修的核心，品修为东。于是在他的油画创作中，会明显渐漫进中国画的气韵生动，油画不仅仅用块面光影来造型，还穿插进线条皴笔的灵动！油画技法和中国画法能非常和谐的统一在一起，不违和，更不生硬呆板！油画与中国画的技法在他的创作里，绝然没有碰撞后的撕裂伤痕，全然是融合完美的状态，依靠的是什么？当然是他对东西文化的深谙掌握。没有文化修为的极致高度，难有技高一筹的文化统融操作。所以看他的油画，就是在仰观文化修养的精彩！画如其人，在他新油画传承主义的实践中，也得到了侧面的印证！

"New" is his creative attainments arising from the inheritance of his cultural wisdom in oil painting. Where is new? I have to say something about his profound cultivation of traditional culture. Although he holds the pen of oil painting, his skill is the west, but the sharpening of traditional culture is the core of his heart, and his quality is the east. So in his oil painting creation, will obviously gradually diffuse into the vivid spirit of Chinese painting, oil painting not only with a block of light and shadow to shape, but also interspersed into the lines cun pen clever! Oil painting techniques and Chinese painting can be very harmonious unity together, not against, not stiff! The techniques of oil painting and Chinese painting in his creation, there is no tear after collision, but a perfect state of fusion, what does it depend on? Of course, it is his deep understanding of eastern and western cultures. Without the ultimate height of cultural cultivation, it is difficult to have a superior cultural integration operation. So to see his oil paintings is to look up to the splendid culture! Painting as the person, in his new oil painting inheritance practice, has also been confirmed by the side!

山中印象1）60/80cm

山中印象2）60/80Cm

闹市80/80cm

造型是杨兴雅先生油画的底基，油画无论如何传承，如果失了形态，必然就是失了根源。所以他的油画是专业造型的精湛范式，无论是山水风景还是人物都是形态的致美。真实可观，是最好的艺术的表现力，这是他的功法底气。如果说以前的油画家，试图让油画影响中国画，那么当下的杨兴雅则是开启了让中国画影响油画的新征程。徐悲鸿用油画的方式画竹子，这种尝试整体来说是失败的，因为竹子在油画明暗技法中，失去了东方审美的意象内涵。杨兴雅反其道而行，用中国画的意象气韵去影响油画的创作，把油画失序的印象主义，更正为中国画审美有韵的意象之美，可看可悟，动心悦目，从结果的塑造来看绝对成功！

Modeling is the basis of Mr. Yang Xingya's oil painting. No matter how inherited the oil painting is, if it loses its form, it must lose its root. Therefore, his oil painting is the exquisite paradigm of professional modeling, no matter the landscape or the figures are the beauty of the form. Real and considerable, is the best expression of art, this is the foundation of his skills. If the previous oil painters tried to make oil painting influence Chinese painting, then The current Yang Xingya started a new journey to make Chinese painting influence oil painting. Xu Beihong used oil painting to draw bamboo, which was a failure on the whole, because bamboo lost the image connotation of Oriental aesthetics in the technique of light and shade in oil painting. Yang Xingya went the opposite way, with the image of Chinese painting to affect the creation of oil painting, the oil painting out of order impressionism, correct for Chinese painting aesthetic rhyme of the image of the United States, can be seen to understand, pleasing to the heart, from the result of shaping absolute success!

逍遥游80/80cm

汉字人生1）80/60cm

汉字人生2）80/60cm

国外滨城60/80cm

法通东西创新功，独树一帜显风流。他的新油画传承主义的而成功实践，恰是一位中国油画家应该具有传统文化自信的典范！从这个意义上来讲，油画新传承主义正是我们本有的文化软实力，在世界舞台东风渐盛的艺术序曲！

著名书画评论家 史峰 2019年5月20日

Law through the east and west innovation, unique show romantic. His new oil painting inheritationism and successful practice, just a Chinese oil painter should have a model of confidence in traditional culture! In this sense, the new inheritance of oil painting is just the artistic prelude of our original cultural soft power, which is gradually flourishing on the world stage.

Famous painting and calligraphy critic Shi Feng May 20, 2019