王云仙,河北人,1958年生,中国著名书画家,国礼艺术家。2020中国当代优秀人民艺术家,中国书画家联谊会会员,中国书画家联谊会艺创中心主任,中国书画家联谊会新文艺群体书画家工作委员会特聘书画艺术家、会员、理事、副秘书长,中国民族建筑研究会书画艺术专业委员客座教授,中国楹联学会书法艺术研究会副秘书长,中国国土书画研究院执行院长,中国互联网联盟主编,CCTV特别推荐艺术名家。2020年中国互联网联盟对华人艺术领袖王云仙独家全球性新闻报道《笔墨歌盛世 丹青绘华章》。
Wang Yunxian, born in Hebei Province in 1958, is a famous Chinese painter and painter and a national ritual artist. 2020 Chinese outstanding contemporary people artists, members of Chinese Calligraphers Association, directors of Art Creation Center of Chinese Calligraphers Association, special artists, members, directors and deputy secretary-general of painters working committee of new literary groups of Chinese Calligraphers Association, visiting professor of national architecture institute of china Painting and Calligraphy Art Committee, deputy secretary-general of Calligraphy Art Research Association of China Couplets Association, executive director of China Land Painting and Calligraphy Research Institute, editor-in-chief of China Internet Alliance, and famous artists specially recommended by CCTV.
席地书写毛主席《沁园春·雪》长6米宽2米
离职后,专门研究中国书画艺术,创办王云仙书画艺术馆、福寿堂、中华始祖文化研究院。
After leaving, he specialized in Chinese painting and calligraphy, and founded Wang Yunxian calligraphy and painting art museum, Fu Shou hall and Chinese ancestor culture research institute
王先生早年在津门书画家张兆丰门下学书画。曾受李鹤年、龚旺、慕凌飞、王淑辉的言传。
2019年6月受邀参加中国书画家联谊会新文艺群体书画家工作委员会在北京会议中心举办“明德引领风尚挥毫抒写时代——庆祝建国七十周年新文艺群体书画家座谈会”。
In his early years, Mr. Wang studied calligraphy and painting under Zhang Zhaofeng, a calligrapher and painter in Jinmen. He was once described by Li Helian, Gong Wang, mu Lingfei and Wang Shuhui.
In June 2019, he was invited to participate in the new literature and art group calligraphers and painters Working Committee of the Chinese Calligraphers and Painters Association to hold the "Mingde leading the fashion, expressing the times with great vigour - Celebrating the 70th anniversary of the founding of the people's Republic of China".
左右手双笔同书《寿》
由于工作缘由,书画作品面世少。其左右手同书、反正书、盲书作品部分高级首长家皆有过收藏,王先生被称赞为“双天官”书坛奇人;双手同书作品、榜书作品中央电视台、教育电视台现场直播过;还有些作品曾选登在中纪委廉政挂历上;被当作国礼送给异国要员的作品如“友谊长存、龙行天下、腾飞”等也不在少数;其它作品有些杂志上亦有登载恕不能尽例。虽然如此,王先生说“决不入江湖之流,做学生,苦读勤学是为本,旨在为人民服务,为发展中华文化而奋斗”。
Because of the work reason, the calligraphy and painting works are few. Some of his works were collected by senior officials. Mr. Wang was praised as a "double heaven official" in the book circle. His works, including the works with both hands and the list books, were broadcast live by CCTV and ETV. Some of his works were selected on the anti-corruption calendar of the Central Commission for Discipline inspection. His works were given to foreign dignitaries as a national gift, such as "friendship lasts forever, dragon travels all over the world" There are also many other works published in some magazines. Nevertheless, Mr. Wang said that "never enter the stream of the rivers and lakes. To be a student, to study hard is to serve the people and strive for the development of Chinese culture.".
左右手双笔同书《花好月圆》
书法有篆隶楷行草五种基本形体,这是大约的分法。如果从个性的角度来讲,书法的创作有无限可能,只要做到智巧兼优,就可以把书法形态写得丰富多彩。书法家王云仙创作书法就是智巧兼优的表现力!富有个性,有一些写法别人未必琢磨得透,学得成!
王云仙创作书法的过程和结果,都有令人称奇的地方。当然,称奇之前,必须承认王云仙的书法无论如何去创新,都不会走背离碑帖的江湖路。换言之,善于书法创新的王云仙,传统书法的底子非常厚实,他的书法诸书皆作修养,博涉多优!尤其篆书、隶书、行草书都有严谨的法度,取法都作上乘选择。篆书师峄山,隶书师十碑,行草以书谱、十七帖为法本,善于在一点之内殊衄挫于毫芒,可以在一画之内变起伏于锋梢!执笔落墨,有力量有速度!力则可以透纸背,有入木三分之功。速可以写惊雷驰电,作龙跳天门之姿!
如果王云仙仅依传统书法的修养成绩,也足让人心生折服!只是他的书法眼界高兴趣足,书性又有超人资本,所以并不愿意就此拘泥在已有的书法成绩!而是在书法的创作方式上有了很大的创新努力!其一是左右手同时写书法,一心不可二用?王云仙突破空间思维的这种限制,双手执笔左右开弓,写出的双福作品,镜象完美而不失笔墨法度,形神兼备就是智巧兼优的证据!这说明他创作书法,不但有线条塑造的娴熟技巧,还有空间结构的超凡谋策!
其二是反正书!一件篆书或是隶书作品是正姿态,而题跋或是落款却可以遂手应手地写成反向书迹!正姿态的字写得正大气象,反向字迹飞仪洒脱!如果透光而观,仍旧是正向书法的正大气象!一反一正就是阴阳相生的意象,不但具有强烈的对比审美效果,也有独特的哲学味道。其三是盲书,盲目只是目不视之,而是心可作笔,称为盲书,心则不盲!唯有把书法练到百乘熟,才可以在“盲”的状态下,让心智全程透彻地介入到书法创作中,然后让书法呈现的结果就是心迹的映像!所以他的盲书并不是肤浅的书法杂耍,而是对“心入书”的理论,进行的有成效的探索!
王云仙的书法根子牢牢地确立在碑帖之上,又有创作奇能可以变化出富有个性的创作形式。基于传统书法功夫而做出的创新,就如飞上天的风筝姿态万千,总是会有一根正宗的线在起绝对控制,创新不失根本,这就是王云仙书法可作严谨的水准!
Calligraphy has five basic forms: seal script, script and cursive script, which is roughly divided. From the perspective of personality, there are infinite possibilities for calligraphy creation, so long as you are smart and excellent, you can write rich and colorful calligraphy forms. Calligrapher Wang Yunxian's calligraphy creation is the expressive force of wisdom and ingenuity! Rich in personality, there are some writing methods that others may not be able to understand and learn! The process and results of Wang Yunxian's calligraphy creation are amazing. Of course, before marveling, it must be admitted that Wang Yunxian's calligraphy will never deviate from the inscription. In other words, Wang Yunxian, who is good at calligraphy innovation, has a solid foundation of traditional calligraphy, and his calligraphy books are all self-cultivation, and his knowledge is excellent! In particular, seal script, official script and cursive script all have strict testimonies, and all of them make excellent choices. Seal calligrapher Yishan, official calligrapher's ten steles, cursive script based on book score and seventeen posts, are good at falling down on the millimans within one point, and can change the ups and downs of Feng Yu tips within one painting! Writing ink, strength and speed! Force can penetrate the back of the paper, and has a third of the work. Speed can write thunder and lightning, and make the appearance of dragon jumping heaven! If Wang Yunxian only relies on the accomplishment of traditional calligraphy, it will also make people feel impressed! It's just that he has high interest in calligraphy and superhuman capital, so he doesn't want to stick to his existing calligraphy achievements! But has made great innovation efforts in the way of calligraphy creation! One is to write calligraphy with both right and left hands at the same time? Wang Yunxian broke through this limitation of spatial thinking, and wrote Shuang Fu's works with both hands. The mirror image is perfect without losing the brushwork, and the combination of form and spirit is the evidence of wisdom and ingenuity! This shows that when he created calligraphy, he not only had the skillful skill of shaping lines, but also had the extraordinary strategy of spatial structure! The second is anyway! A seal script or official script is a positive gesture, but the inscription or inscription can be written as a reverse script! The positive gesture is written in a decent way, and the reverse handwriting is free and easy! If you look at it through light, it is still the positive atmosphere of calligraphy! Contradictions and rightness are the images of yin and yang, which not only have a strong contrast aesthetic effect, but also have a unique philosophical taste. Third, blind books, blind is just blind, but the heart can be a pen, called blind books, but the heart is not blind! Only by practicing calligraphy to a full degree can the mind be thoroughly involved in calligraphy creation in a "blind" state, and then the result of calligraphy is the image of the mind! Therefore, his blind book is not a superficial calligraphy juggling, but a fruitful exploration of the theory of "the heart enters the book"! Wang Yunxian's calligraphy roots are firmly established on the rubbings, and his creative talents can change the creative forms with rich personality. Innovation based on traditional calligraphy kung fu is like a kite flying into the sky with thousands of postures. There will always be an authentic line in absolute control, and innovation does not lose its roots. This is the rigorous standard of Wang Yunxian's calligraphy!
中国书画家报主编 徐丽媛
2020年12月6日
Xu Liyuan, Editor-in-Chief of Chinese Calligraphers
December 6, 2020
左右手双笔同书《洪福双至》
《风寒出农 鱼雁泽初》
《业精于勤荒于嬉,行成于思毁于随》
《同根》
《国色天香》
《道德文章家国事 江河华岱画书源》
《威风凛凛》
《中华牡丹真国色,双鹊争喉唱太平》
左右手双笔同书《国泰民安》
篆刻作品《国泰民安》 长25cm,宽25cm,高16cm
《虎•清平世界》
《岳阳楼记》
