谢智胜 字愚石,古庐州人,号半砖草堂主人、乐水居士。现为中国书法家协会会员,安徽省书协篆刻委员会委员。作品入选“全国第二、第六届篆刻艺术展”、“西泠印社首届国际篆刻大展”;作品荣获“中书协培训中心十周年成果汇报展”二等奖,“全国冶金系统首届书法展”银奖等全国、省展十余次,出版发行《中华人民共和国建国七十周年》主题限量版珍藏邮册,并被多个专业机构收藏和权威媒体宣传报道。

Xie Zhisheng, a native of ancient Luzhou, is the owner of No.1 half brick thatched cottage and a householder of Leshui. Now he is a member of Chinese Calligraphers Association and a member of Seal Cutting Committee of Anhui Calligraphy Association. His works were selected into the "Second and Sixth National Seal Carving Art Exhibition" and "The First International Seal Carving Exhibition of Xiqiao Printing Society"; His works won the second prize of "Report Exhibition of the 10th Anniversary Achievements of the Training Center of the Chinese Book Association", the Silver Award of "First Calligraphy Exhibition of the National Metallurgical System" and other national and provincial exhibitions for more than ten times. He published and distributed a limited edition stamp album with the theme of "The 70th Anniversary of the Founding of the People's Republic of China", which was collected by many professional institutions and publicized and reported by authoritative media.

德不孤必有邻 40x40

草堂杂感

Caotang miscellaneous feeling

余习字,乃先父所教;机缘巧合,又入印道;蒙诸师点化,渐有成效;初摹秦汉,规矩毕肖;及涉明清,方履堂奥,能沉迷至今,实兴趣使然。

Yu Xizi was taught by my father; Coincidentally, it entered the printing road again; The teachers are enlightened and gradually effective; At the beginning of the Qin and Han Dynasties, the rules were finished; And involved in the Ming and Qing Dynasties, the performance of the court, can indulge so far, due to real interest.

世纪更替之交,文艺复兴,余亦求艺心切,就读于省教院美教专业,求教于中书协培训中心。于书画、金石获益良多;于美学之赏读,于道艺之修养,心有所会。临池问石间,羡儒雅,试雄强,处简静,制玄奥,时习固未染,精进亦维艰,时叹艺无止境也。

At the turn of the century, during the Renaissance, Yu was eager for art, studying in the art education major of the provincial education institute and seeking advice from the training center of the Chinese Book Association. I have benefited a lot from painting and calligraphy and stone; Appreciate the aesthetics and cultivate the Taoist arts. Asking questions between stones in Linchi, admiring elegance, trying to be strong, being simple and quiet, making complex, getting used to it, making progress hard, and sighing endless.

而今,处现实之浮华,对光电之人生,或逃避,或追寻,或自问,或自警,每每感悟,则于方寸之间,欲以简健之线,虚静之白,表达内心之向往,寄情境于清凉。

Nowadays, in the glitz of reality, we can escape, pursue, ask ourselves, or alert ourselves to the life of photoelectricity. Every time we feel it, we want to express our inner yearning and send the situation to coolness with a simple line and empty white.

子曰:人能弘道,非道弘人。吾自潜心修行之,吾辈亦当审慎之。

Confucius said, "People can promote Taoism, but not Taoism.". Since I devote myself to practice, we should also be prudent.

否极泰来 30x30

谢智胜书法篆刻简评

Brief comment on Xie Zhisheng's calligraphy seal cutting

汪军(安徽师范大学教授、艺术学博士)

Wang Jun (Professor, Doctor of Arts, Anhui Normal University)

清代书法理论家刘熙载在《艺概·书概》里说:“书者,如也。如其学,如其才,如其志,总之曰如其人而已。”这番话用来理解智胜君的书法篆刻是非常适用的。

Liu Xizai, a calligraphy theorist in the Qing Dynasty, said in "A Brief Introduction to Arts and Books": "A calligrapher is like a writer. If you learn, if you have talent, if you have ambition, in short, you are just like a person. " These words are very applicable to understand Zhi Shengjun's calligraphy seal cutting.

咏而归 30x30

智胜君性情温和,恂恂然有君子之风。因此,他的书法篆刻整体上透露出温醇的气息。或者说,他选择了一条最适合于自己的从艺之道。当今书坛风云变幻,展览的刺激,使得许多人变得越来越浮躁,喜欢跟随时风,一味追求表面的视觉效果,而忽视对书法本体的深入探求。智胜君则显得从容淡定,多年来一直坚持走自己的道路,不为时风左右。

Zhishengjun is gentle, but he has a gentleman's style. Therefore, his calligraphy seal cutting reveals a warm and mellow atmosphere as a whole. In other words, he chose a most suitable way to learn from art. Nowadays, many people are becoming more and more impetuous because of the changing situation of the book world and the stimulation of exhibitions. They like to follow the trend of the times and blindly pursue the superficial visual effect, while ignoring the in-depth exploration of calligraphy itself. Zhishengjun seems calm and calm, and has been sticking to his own path for many years, which is not influenced by the times.

随形 23x13

总体而言,智胜君追求的是精整雅正的艺术风格。这一路自清代杨沂孙、钱坫、吴大澂到近、现代王福庵、赵叔孺、罗福颐,再到陈巨来、方介堪、徐无闻等人,已经积累了丰富的艺术面貌并形成了较为稳定的风格特征。智胜君在广泛吸取这些前辈艺术家作品中精华的基础上,逐步形成了自己的风貌。他的篆刻作品,典雅精工而又婉转动人,细微处时见匠心。他的书法作品以篆书为主,小篆平正端庄,妥帖安静。大篆多取法《中山王》,这种风格自徐无闻先生开创以来,受到越来越多关注与效仿。智胜君对此有自己的理解,他在书写时更加注重用笔的趣味性,而不是一味地突出其装饰性效果,这一点是非常难能可贵的。

Generally speaking, Zhishengjun pursues the artistic style of finishing elegance. From Yang Yisun, Qian Dian and Wu Dazhao in Qing Dynasty to modern Wang Fuan, Zhao Shuru and Luo Fuyi, and then to Chen Julai, Fang Jiekan and Xu Wuwen, this road has accumulated rich artistic features and formed relatively stable style features. On the basis of absorbing the essence of the works of these predecessors, Zhishengjun gradually formed his own style. His seal cutting works are elegant, exquisite and tactfully moving, and they are ingenious in nuances. His calligraphy works are mainly seal script, and the small seal script is fair and dignified, appropriate and quiet. "Zhongshan King" is often used as the seal script. This style has been paid more and more attention and imitated since Xu Wuwen started it. Zhi Shengjun has his own understanding of this, and he pays more attention to the interest of using pen instead of highlighting its decorative effect, which is very commendable.

同窗之谊 23x23

智胜君在书法篆刻上浸淫多年,已经积累了深厚的功力与创作经验。而且,他不激不厉的态度,使他具有足够的定力与持久的热情,从而取得稳定而丰硕的收获。

Zhishengjun has been immersed in calligraphy seal cutting for many years, and has accumulated profound skills and creative experience. Moreover, his unflappable attitude makes him have enough concentration and lasting enthusiasm, thus obtaining stable and fruitful harvest.

南有嘉魚 23x23

仁者寿 35x12

易经语 扇面

去时飞雪 归来春风 138x34

惠风和畅 46x46

王冕诗 68x68

杜牧诗 68x68

“铸梦百年”宝武书展有感 180x48x4

论语句 138x34

茶亦书能联 138x23x2

井陶人从联 138x23x2