2020 年度全球各界贡献人物“年度之最”——苏作光

苏作光,1950年生,广东省潮州市人,中共党员,大专学历,1969年1月至1981年12月在部队服役,转业后任中共汕头市委组织部副科长,后调任行政监察局科长,2001年调任广东行政学院书法老师兼政治辅导员2010年退休,应聘任广州市南沙区金隆小学书法老师,2016年退出从事书法创作活动。

领袖为人民.人民为领袖宽68cmx高136cm

Su Zuoguang, born in Chaozhou City, Guangdong Province in 1950, is a member of the Communist Party of China, with a college degree. He served in the army from January 1969 to December 1981. After changing jobs, he served as the deputy section chief of the Organization Department of Shantou Municipal Committee of the Communist Party of China, and then was transferred to the chief of the Administrative Supervision Bureau. In 2001, he was transferred to the calligraphy teacher and political counselor of Guangdong Administrative College and retired in 2010. He should be appointed as a calligraphy teacher of Jinlong Primary School in Nansha District, Guangzhou, and quit his calligraphy creation activities in 2016.

战疫长联宽136cmx高68cm

现任中华文化艺术家联#xad;#xad;#xad;合会副主席,中国未来研究会副会长,北京京华阁书画院副院长,北京世纪书画院院士,北京环球书画院院士,山东曲埠鸿儒书画院院士,中国民族建筑研究会艺专委客座教授等职,曾多次参加中国情强军梦共和国将军部长书法年会,在媒体发表过许多个人作品,深受好评。

功崇惟志.业广惟勤宽68cmX高136cm

At present, he is the vice chairman of Chinese Cultural Artists Association, vice president of China Future Research Association, vice president of Beijing Jinghua Pavilion Painting and Calligraphy Institute, academician of Beijing Century Painting and Calligraphy Institute, academician of Beijing Global Painting and Calligraphy Institute, academician of Shandong Qubu Hongru Painting and Calligraphy Institute, visiting professor of national architecture institute of china Art Committee, etc. He has participated in the calligraphy annual meeting of general ministers of China's strong military dream Republic for many times, and published many personal works in the media, which were well received.

初心不改奋斗不止宽68cmx高136cm

诸书皆精称奇才笔神墨仙世人惊

——记当代著名书法家苏作光先生

苏作光,1950年出生,广东省潮州人。曾经投笔从戎,于军旅习练书法,将军人气质融入书法创作,初得刚劲猛毅的书法精神。后来从军旅专业于地方,从政。官场俗风,没有浸染苏作光的雅性,相反,他更加专心攻研书法技艺,以书法的清秀高雅陶冶个人情操,得书艺和品性双收。苏先生研习书法,善从古籍,他从古籍笔贴中吸收营养,潜心研习,书法水平渐入佳径,后被广东行政学院应聘为书法教师及政治辅导员,可见其书艺高可为师,其品性高也可为师的高度,不负德艺双馨之实。

一般而言,书法家会因自己的心性和爱好,选一种书体为主。心性平且刚者,可选修柳公权楷书,以字体的端正和结骨刚硬体现性情。心性柔丰细腻者,可选修颜真卿楷书,以字体的丰腴和勾笔体现性情。心性狂野者,可以选修怀素张旭狂草,得意气纵横,不受羁束,倾泄万里的豪迈和旷达。世人书法,多受困于人性,性单一则技单一,无法享受全面出击,各有所得的书法乐趣和造诣。

苏作光先生作书法,超凡脱俗,书法机趣已经超然于心性之上。心静如水时,亦成狂草千笔。意气风发时,也可就端正楷体。淡笔闲谈中又能隶书传情怀,举手投足间,顺可勾画篆书出精神。不受心性之束缚,笔墨凭天飞,苏作光先生是百书皆精,有笔神墨仙的气象。观苏作光诸体作品,如在仙宫神阙畅游,书法的诸美之源源而生,令人陶醉,让人敬佩。

先看先生佳作两屏行草,分别录李白诗《黄鹤楼送孟浩然之广陵》《渡荆门送别》。两幅并列,左顾右盼,形卷意连,字字间隔惬意,行行相距得心,章法独到,成笔之前已经是大道存于心,江山隐于念,一气呵成,独具风采。

苏作光的草书作品,得张旭形,融怀素意,细致高闲,但更追胡公石先生的标准草书,规章鲜明,龙飞凤舞却在格章之内,古风凛然。苏先生草书风格成熟与笔墨独到,得益地其修法之广,求法之严,施法之度,他对草书的参悟非常精到,深悟得道,行笔处,时蹇时蹶,计遂不得,悠乎飞斜,复如醉时狂书。狂倾大斜时,又依然取正,一笔定山河,山稳河畅。端也是他,斜也是他,以端斜交错,营造笔法之美,取笔墨之势,美则悦目,动则灵通。张旭、怀素作草,先得醉酒态,然后进入迷狂状态,纵笔挥墨,以求变幻莫测,鬼书之才。苏作光先生作草书,不迷不醉,其作草心态雅然,用心驱笔,以意施墨,以云淡风飞轻意,现秋风扫叶势,作品虽然也是大开大合,强聚劲散,但是作品的骨子里却是文人心态的端正,于纵横跌宕彰显从容娴雅,文人书气盛,柔人心境,堪称神书。又观苏作光先生狂草《沁园春雪》,也是于心如止水时,端正执笔,挥笔纵墨,守正于心,笔走龙蛇,大气如虹,观其作如闻惊涛拍岸,也如观钱塘狂潮,其势之勇,势不可挡。苏先生写草书,恰似于帷帐中,手抚素琴,闭目轻弹,便是一曲震心裂胆之曲,闻之观之,错愕惊乱,而又淋沥入怀。

观苏作光作品,如果仅观其草,不观其楷,那么就得雄狂而失清俊了。苏作光楷书,功力深厚,笔法和墨色均为上乘。看其作《兰亭序》,一改王圣行书风采,用正楷书写,只在其中间夹行少量行体,观看时,字字如清俊后生,身直而颜美,其间存在的行体,又字字如淡艳美人,婀娜姿美。单看其用笔,一笔一画,工整守道,古风熙然。再看其结体,字字方正,收放有度,意气满而不溢,精神奋而不张,结体守中守直,如千军万马,俨然而立,没有一字紊,不见一字乱。苏作光作《兰亭序》,以古法为基,书风源于古,又以自己的思索为引力,创楷体新风,独立一派,叹为观止。

苏作光的篆书和隶书之美,也是不能不赏。方笔瘦劲挺拔、圆笔芝草团云,尖笔金针落地,大美之作。其隶书作品《春华秋实》宽博雄厚,端正有韵,是当今隶书别有建树之作。诸书皆精称奇才,笔神墨仙世人惊,欣闻著名书法家苏作光得人民艺术家称号,名至实归,苏先生不负其名,早已经在书界存下大造诣,立下大功勋。

华艺书韵文化传媒有限公司艺术总监史峰 2017年3月27日

党魂军魂国魂中华强大之根宽68cmx高136cm

All the books are wonderful and amazing, and the world is shocked by the gods and immortals —— Remember the famous contemporary calligrapher Su Zuoguang Su Zuoguang was born in 1950 in chaozhou people, Guangdong Province. I used to join the army, practice calligraphy in the military, integrate the temperament of generals into calligraphy creation, and get a strong and resolute calligraphy spirit at the beginning. Later, he majored in local areas from the military and went into politics. The common customs of officialdom did not affect Su Zuoguang's elegance. On the contrary, he paid more attention to his calligraphy skills, cultivated his personal sentiment with the delicate and elegant calligraphy, and gained both calligraphy and character. Mr. Su studied calligraphy and was good at learning from ancient books. He absorbed nutrition from the pens and stickers of ancient books, studied with great concentration, and his calligraphy level gradually became better. Later, he was employed as a calligraphy teacher and political counselor by Guangdong Administration College. It can be seen that his high calligraphy skills can be a teacher, and his high character can also be a teacher's height. Generally speaking, calligraphers will choose a book style based on their own mind and hobbies. Those who have a flat and rigid mind can choose Liu Gongquan regular script, and reflect their temperament with the correct font and rigid bones. Those who are soft and delicate in heart can choose Yan Zhenqing regular script, and reflect their temperament with rich fonts and tick marks. Wild-minded people can take the wild grass in Zhang Xu, Huai Su, and they are proud of themselves, free from fetters, and pour out thousands of miles of heroic and broad-minded. Most of the world's calligraphy is trapped in human nature, and the single sex means the single skill, so they can't enjoy a comprehensive attack, and each has the pleasure and attainments of calligraphy. Mr. Su Zuoguang's calligraphy is extraordinary and refined, and his interest in calligraphy has been detached from his mind. When the heart is calm as water, it becomes a thousand strokes of wild grass. When you are in high spirits, you can correct regular script. In the light pen chat, the official script can pass on the feelings, and when you raise your hand, you can sketch the seal script and express the spirit. Without being bound by the mind, pen and ink fly by the sky, and Mr. Su Zuoguang is a master of all books, with a penmanship. Looking at Su Zuoguang's works, such as swimming in the fairy palace, the beauty of calligraphy comes into being, which is intoxicating and admirable. First, look at Mr. Wang's masterpiece, two screens, and record Li Bai's poems, "Yellow Crane Tower a farewell to meng haoran on his way to yangzhou" and "bidding a friend farewell at jingmen ferry" respectively. The two pictures are juxtaposed, looking left and right. They are connected in shape and volume, with comfortable spacing between words, unique composition and unique style. Before the writing, the road is in the heart, and the mountains and rivers are hidden in the mind. Su Zuoguang's cursive works won Zhang Xuxing, Huai Su's meaning and meticulous Gao Xian, but they followed Mr. Hu Gongshi's standard cursive, with clear regulations, while the dragonfly and the phoenix dance were within the grid chapter, which was awe-inspiring. Mr. Su's cursive style is mature and unique. Thanks to his extensive practice, strict pursuit and degree of application, his understanding of cursive script is very precise, and he has a deep understanding of the way. When he writes, he can't count, and he flies like a crazy book when he is drunk. When you are crazy about a big slope, you still take the right one, and the mountains and rivers are stable and smooth. End is also his, oblique is also his, to end oblique crisscross, create the beauty of brushwork, take pen and ink, beauty is pleasing to the eye, and movement is well informed. When Zhang Xu and Huai Su worked as grass, they got drunk first, then went into a crazy state, and waved ink in order to be unpredictable and talented. Mr. Su Zuoguang is a cursive writer, who is not fascinated or drunk. His cursive mentality is elegant, his pen is driven with heart, his ink is applied with meaning, and the autumn wind sweeps the leaf. Although his works are also big and big, they are strong and strong, but his works are correct in literati's mentality. They show calm and refined in vertical and horizontal ups and downs, and the literati's books are full of vigor and softness, which can be called God's books. Seeing Mr. Su Zuoguang's wild grass "Spring Snow in Qinyuan", when he was in quiet inside, he wrote correctly, and kept his pen in the heart. His pen was like a dragon and snake, and the atmosphere was like a rainbow. Seeing his works was like watching the tide of Qiantang, which was unstoppable. Mr. Su writes cursive script, just like in a curtain, touching Suqin with his hand and flicking it with his eyes closed, which is a song that shocks the heart and cracks the gallbladder. When he smells it, he is shocked and confused, but he is drenched in his arms. If you look at Su Zuoguang's works, if you only look at the grass, but don't look at his model, then you will be mad and lose your integrity. Su Zuoguang's regular script is profound in skill and superior in brushwork and ink color. Looking at the Preface to Lanting, the style of Wang Sheng's running script was changed, and it was written in block letters, with only a small amount of lines sandwiched between them. When watching, every word was as handsome as a young man, straight and beautiful, and every word was as beautiful as a pale and beautiful person. Just look at the pen, draw one by one, keep the way neatly, and look at the ancient style. Look at its knot, every word is square, it is restrained, its spirit is full but not overflowing, its spirit is vigorous but not open, and its knot is kept straight, such as hordes, standing like a tiger, without confusion or confusion. Su Zuoguang's Preface to Lanting, based on the ancient method, originated from ancient times, and took his own thinking as gravity, created a new style of regular script, which was independent and amazing. The beauty of Su Zuoguang's seal script and official script can't be ignored. Fang Bi is tall and straight, with a round pen and a cloud of grass, and a sharp pen and golden needle, which is a beautiful work. His official script "Chunhua Qiushi" is rich in breadth, regularity and rhyme, which is an outstanding work of today's official script. All the books are wonderful talents, and the world is shocked by the pen god Mo Xian. I am glad to hear that Su Zuoguang, a famous calligrapher, has won the title of People's Artist, and his name is worthy of his name. Mr. Su has already made great achievements and made great contributions in the book industry. Shi Feng, artistic director of Huayi Shuyun Culture Media Co., Ltd., March 27, 2017