王翠竹,1951年生,北京人。幼承家学,奢爱文史,痴迷丹青。曾师从王传莘学习工笔多年,后又跟王绍华学习写意花鸟,擅长梅花、牡丹、葡萄,潜心水墨牡丹的研究与创作,传统功力深厚。二十年痴心不改、默默耕耘,善于博采众长,勇于创新技法,坚持在意境、笔法和用墨上求突破,形成了水墨牡丹独特的个性画风,令业内瞩目。作品清秀高雅、气韵生动,多次参展参赛并获奖,数百幅作品在各种媒体发表,一些作品被国内外友人收藏。传承中华传统文化,热心参与文化交流和社会公益事业,被誉为“德艺双馨”艺术家。

Wang Cuizhu was born in Beijing in 1951. Young children learn from their families, love literature and history, and are obsessed with Danqing. He studied fine brushwork from Wang Chuanshen for many years, and then learned freehand flowers and birds from Wang Shaohua. He was good at plum blossom, peony and grape, and devoted himself to the research and creation of ink peony, with profound traditional skills. Twenty years of infatuation, silent cultivation, being good at learning from others, being brave in innovating techniques, and persisting in seeking breakthroughs in artistic conception, brushwork and ink use, have formed a unique personality style of ink peony, which has attracted the attention of the industry. His works are elegant, elegant and vivid. He has participated in many competitions and won awards. Hundreds of works have been published in various media, and some works have been collected by friends at home and abroad. Inheriting Chinese traditional culture, enthusiastically participating in cultural exchanges and social public welfare undertakings, he is known as an artist with both virtue and art.

现为:国礼艺术家、全国名人书画艺术界联合会主任委员,香港文联美术家协会会员,国家一级美术师,CETV频道水墨丹青栏目组书画院会员,中国教育电视台《水墨丹青栏目组》《名家讲堂》签约艺术家、北京六艺嘉韵书画研究院院士,北京燕京文化书画院画家,东方艺术天地艺术顾问,中马文学艺术研究院特聘书画教授,院士,并因为水墨牡丹的笔墨及用水的突破被中马艺术研究院授有国际功勋艺术家证书。山东曲阜鸿儒书画院常务副院长,河南今网书画院艺术总顾问。

At present, he is: a national gift artist, chairman of the National Federation of Celebrity Painting and Calligraphy Art Circles, a member of the Hong Kong Federation of Literary and Art Circles Artists Association, a national first-class artist, a member of the Painting and Calligraphy Institute of the Ink Danqing Column Group of CETV Channel, a signing artist of the Ink Danqing Column Group and Famous Lecture Hall of China Education TV Station, an academician of Beijing Liuyi Jiayun Painting and Calligraphy Research Institute, a painter of Beijing Yanjing Culture Painting and Calligraphy Institute, an art consultant of Oriental Art World, and a special professor and academician of painting and calligraphy at China-Malaysia Literature and Art Research Institute Executive vice president of Shandong Qufu Hongru Painting and Calligraphy Institute, and general art consultant of Henan Jinwang Painting and Calligraphy Institute.

王翠竹作品

水墨牡丹质清雅 大彩妖娆最富贵——记著名画家王翠竹

Ink peony is elegant, colorful, enchanting and richest —— A record of famous painter Wang Cuizhu

牡丹画题流传千年,成为传统文化意象的重要载体之一。但是当代画坛却因浮风躁气的原因,把仙子牡丹画成了烟火垢面,把君子牡丹画成了艳俗无品,所以牡丹的文化品位在滑落,牡丹的意象格调在掉价。得遇当代著名画家王翠竹的牡丹作品,忽如阴霾变净空,也似俗尘遇清雅!她用极有文化修养的内涵作为制韵动力,画水墨牡丹气韵生动,画大彩牡丹气度富贵,笔墨由传统而来,向时代而驻,形成了个人牡丹创作心观有涵养,眼观有气势的创作境界,功建画坛,名达四面。

Peony paintings have spread for thousands of years and become one of the important carriers of traditional cultural images. However, contemporary painting circles have painted fairy peony as firework dirt and gentleman peony as gaudy without taste, so the cultural taste of peony is slipping, and the image style of peony is in fall in price. When you meet the peony works of Wang Cuizhu, a famous contemporary painter, it suddenly becomes clear like haze, but also looks like vulgar dust meets elegance! She used the connotation of great cultural accomplishment as the motive force of rhyme making, painted ink peony with vivid charm, painted big color peony with rich bearing, and the pen and ink came from tradition and lived with the times, forming a creative realm of personal peony creation with self-restraint in mind and momentum in eyes, which made great achievements in painting circles and became famous in all directions.

王翠竹作品

水墨是大简,水墨画牡丹当成大道。但是纵观古今,能像王翠竹女士这样,用致简水墨写意牡丹大道空灵的艺术家了了无几,甚至这是唯一之法。俗笔牡丹,求艳而已,以刺激为目标,怎么俗气怎么来。王翠竹的水墨牡丹,却是制韵为本,以涵养身心为追求。她用水墨通心可品韵味的价值观,不但敢用单纯至简的水墨,塑造牡丹品格的万般化象,并且塑造得源生于自然,法上于自然,写意出十足的学士格调和丰富的书卷气息,离俗惊天。用水墨表现牡丹的文化品格,她做得到,最且做得极致好!

Ink painting is a big Jane, and ink painting peony is the avenue. However, throughout ancient and modern times, there are few artists like Ms. Wang Cuizhu who can use the simple ink to freehand brushwork Peony Avenue, and even this is the only way. Common pen peony, seeking beauty, aiming at stimulation, how tacky it is. Wang Cuizhu's ink peony, however, is based on rhyme, and pursues to conserve body and mind. She not only dared to use simple and simple ink to create all kinds of images of peony's character, but also created it from nature, from law to nature, and freehand brushwork with full bachelor's style and rich scroll flavor, which was shocking. Using ink to express the cultural character of peony, she can do it, and she can do it extremely well!

王翠竹作品

墨为单色,却因为水的洇入晕化,可以生成浓淡干湿焦五色,五色再生五色,依此用水周细调节,水墨就是世间物象的无穷对应。所以善水墨者,必是心明见性最善分辨者。她之所以能用简单的水墨,表现云蒸的泽质牡丹、表现霞蔚的神观牡丹,表现牡丹的静、动、醒、睡,表现牡丹的滴翠摇曳等等万般诸相,皆由不二之法:师法造化,活性构建!写意牡丹用流畅自如的线条画得迎风摇曳是为活,把牡丹用层层水墨臻染得层次分明有血有气是为活!她用无限的笔墨变化,去体现牡丹存在的生态盎然,所以人眼所观是水墨,心意所悟是生命,牡丹画在纸面上,却是活在人的心里,纵然是用墨的单一去渲染,却也是活性变化的非凡铺陈!这种独树一帜,独成一法的水墨牡丹,是照见历史的新经典!

Ink is monochromatic, but because of the blooming of water, it can generate five colors of thick, thin, dry and wet coke, and regenerate five colors. According to this, ink painting is the infinite correspondence of objects in the world. Therefore, those who are good at ink painting must be the ones who are the most discerning. The reason why she can use simple ink and wash to express the Zezhi peony steamed by clouds, the goddess peony of Xia Wei, the quietness, movement, waking and sleeping of peony, the dripping and swaying of peony, and so on, is the only way: learn from nature and build with activity! Freehand peony is painted with smooth and free lines to sway in the wind for living, and peony is dyed with layers of ink and wash to make it clear with blood and gas for living! She uses infinite changes in ink to reflect the ecological richness of peony, so what the human eye sees is ink and wash, and what the mind thinks is life. Peony is painted on paper, but it lives in people's hearts. Even if it is rendered with a single ink, it is also an extraordinary presentation of active changes! This unique and unique ink peony is a new classic of history!

王翠竹作品

从大彩牡丹的品质来看,她不但掌握着水墨致简显空的画意机密,还掌握着大彩显相的艺术法门,用非常有视觉张力的重彩泼绘花头枝叶,没骨无痕,如疾风起,如巨瀑来,心驱大彩,行运泼辣,用淋漓尽致的心意驱动色彩,把牡丹的大流丽铺张于画面,把牡丹的大富贵立韧于眼前,劲骨风神,美不胜收。这种重彩牡丹,艳而不俗,艺术性和装饰性双效全能,成为当代重彩牡丹的领导者。

Judging from the quality of big-color peony, she not only holds the secret of painting meaning that ink and wash make it simple and empty, but also holds the artistic method of big-color appearance. She splashes flower heads and leaves with heavy colors with great visual tension, which are boneless and seamless, such as the wind, such as a huge waterfall, the heart drives big colors, and her luck is vigorous. She drives colors with her incisive mind, spreading the great beauty of peony on the screen and making it rich and vigorous in front of her eyes. This kind of colorful peony, which is colorful and elegant, artistic and decorative, has become the leader of contemporary colorful peony.

王翠竹作品

水墨牡丹质清雅,大彩妖娆最富贵。能用水墨写性灵,亦用重彩绘富贵,在她的笔墨里,牡丹是雅诗也是雄赋。画成儒雅君子行,画成激越富贵歌,她都可以心到手到,手到擒来,毫无滞碍。唯有师法造诣能博观,潜心修行得超脱,才可以像她这样执笔画梦,成为牡丹创作的惊世奇才!

Ink peony is elegant in quality, and enchanting in color is the richest. You can write the soul with ink and wash, and also use heavy painting to be rich. In her pen and ink, peony is an elegant poem and a male poem. Painted as an elegant gentleman's walk and a song of agitation and wealth, she can get her heart at hand and get it easily without any hindrance. Only when we can learn from the law and practice with great concentration can we write dreams like her and become the amazing wizard of peony creation!

著名书画评论家 刘振明 2019年9月9日

Famous painting and calligraphy critic Liu Zhenming September 9, 2019

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