安宝全,汉族。祖籍河南省泌阳县。1955年3月1日出生于山西省太原市五龙口,此日是农历二月初八,即佛祖释迦,牟尼出家之日,这也注定了他与佛有缘,是三晋大地少有的融书,缘、佛缘、善缘于一体的当代书法家。从小对中华文化中诚、善、仁、智有着很深的领悟。略长,对书法与乒乓球产生了浓厚的兴趣,受新中国新文化新风尚耳濡目染,成为太原十四中的小书法家和校乒乓球队长,其德智体全面发展的优良品质,赢得全校师生的青睐。安宝全先生初中毕业后,做过建筑工人,当过工长、队长、经理,后从事商业和企业经营管理,曾在山西的市场营销业界小有名气。多年来,做总经理和法人代表,现任山西乾善文化发展公司的董事长。他喜好结交各界知名人士,热爱劳动人民,热爱中国优秀传统文化和红色文化,并与解放太原时支前女英雄闫二秀——报道称“太原城下活着的刘胡兰”四女儿喜结连理,育有二女,被朋友戏称为“一工一农、赛如富农”“工农结合的和善之家”。一九九年二月初八,安宝全先生步入不感年之际,因受早年在南建安工伤事故大难不死领悟。以及长期在动物园内观察老虎习性、磨练书法虎宇结构等生活积累,善缘造就佛缘,终于经同门得金老师兄上演下林、同修引进,于五台山宝华寺皈依佛门,成为三宝弟子,是三晋新一代著名“才艺居士”。
An Baoquan, Han nationality. Originally from Biyang County, Henan Province. Born on March 1, 1955 in wulongkou, Taiyuan City, Shanxi Province, this day is the eighth day of the second lunar month, that is, the day when Buddha Sakyamuni and Muny became monks, which also doomed him to have a relationship with Buddha. He is a rare contemporary calligrapher who integrates calligraphy, fate, Buddha's fate and goodness in the land of Sanjin. From an early age, I had a deep understanding of sincerity, kindness, benevolence and wisdom in Chinese culture. Slightly longer, he developed a strong interest in calligraphy and table tennis, and was deeply influenced by the new culture and new fashion of New China. He became a small calligrapher and table tennis captain in Taiyuan No.14 Middle School, and his excellent quality of all-round development in morality, intelligence and physique won the favor of all teachers and students. After graduating from junior high school, Mr. An Baoquan worked as a construction worker, foreman, captain and manager, and then engaged in business and enterprise management. He was once famous in the marketing industry in Shanxi. For many years, he has been the general manager and legal representative, and is currently the chairman of Shanxi Ganshan Culture Development Company. He likes to make friends with famous people from all walks of life, loves the working people, and loves China's excellent traditional culture and red culture. He also married the four daughters of Yan Erxiu, a former heroine who was reported to be "Liu Hulan living under Taiyuan City", and has two daughters. He was dubbed by his friends as "one worker, one farmer, competing like a rich farmer" and "a kind home combining workers and peasants". On the eighth day of February, 1999, when Mr. An Baoquan entered the age of unconsciousness, he realized that he had survived an industrial accident in Nan Jian 'an in his early years. As well as the long-term life accumulation of observing tiger habits and honing the structure of calligraphy and tiger space in the zoo, the good fortune created the Buddha's fate. Finally, with the introduction of fellow teacher Jin's brother, he converted to Buddhism in Baohua Temple of Wutai Mountain and became a disciple of Sambo, a famous "talented scholar" of the new generation of Sanjin.
安宝全作品
安宝全先生不仅有人缘、普缘、佛缘,最主要的是有书缘,他积幼年乒乓球艺与书法艺术珠联璧合,浑然一体,经文革和改革的几十年洗练,兼之"冬练三九、夏练三伏",临摹各种名家墨宝,所用纸张笔墨堪以"车载斗量"形容,亦不为过。上世纪80 年代,受书法名家王留鳌先生觉识,收为高徒,进入书法艺术圈,2012年受到国学大师,书法名家贾克勤先生的赏识,使其书法又有大所长进。从此将善缘与福报广撒人间,其书法被大众誉为"安保全一全保安一保安全"之墨宝。先生亦成为古典名著《水浒传》中人物"安道全"的现实版。
Mr. An Baoquan not only has popularity, popularity and Buddhist affinity, but also has a book affinity. His childhood table tennis art and calligraphy art are perfect and integrated. After decades of training during the Cultural Revolution and reform, he also practiced "thirty-nine years in winter and three days in summer", copying various famous Mo Bao, and his paper and ink can be described as "the amount of fighting in a car", which cannot be overstated. In the 1980s, he was recognized by the famous calligrapher Mr. Wang Liuao, and entered the calligraphy art circle. In 2012, he was appreciated by the master of Chinese studies and the famous calligrapher Mr. Jia Keqin, which made his calligraphy make great progress. Since then, good fortune and good fortune have been widely spread in the world, and his calligraphy has been praised by the public as the Mo Bao of "protecting Quan Yi, ensuring all security and ensuring safety". Mr. Wang also became the realistic version of the character "An Daoquan" in the classic Outlaws of the Marsh.
安宝全作品
如今,年已花甲的安宝全先生书法造诣已达出神入化境界,其作品以行楷擅长,将毛主席诗词、唐诗宋词、佛经道辞、国学经典,精妙结合,神来之笔。风格雄宏大气、潇洒飘逸、感情奔放、意境丰富,静如藏龙卧虎、菩萨坐禅,动如行云流水、龙飞凤舞。融汇中华优秀传统文化和毛泽东思想之博大精深、经天纬地,凸显新中国奋发向上之精神风貌,深得士农工商、人民大众喜爱,使人观之,灵魂得以净化,掩而思之,情操随之高尚。山川钟秀,日月之光,金戈之韵,唐风袅袅,予和善之家、工农之家、时尚之家一以贯之,是独树一帜的"三晋奇葩"。2016年晋商会展中心"为建党95周年献礼书法展"安宝全作品《北国风光》、五层《大悲咒》参展。2016年6月三层《心经宝塔》申请了外观设计专利,使用外观设计的产品名称佛教工艺品(三层心经宝塔)。同年8月作品三层《心经宝塔》、五层《大悲咒》在五台山举办了个人展览。2017年8月受中国企业报道邀约入选"当代书画艺术创新典范人物"并由中华丹青网、中国书画网、中国网、凤凰网等多家媒体进行报道。2018年3月受邀参加"书画界焦点人物献礼两会"作品由凤凰网、新浪网、中国新闻网、中华网、中国财经观察网、中国企业报道、中国书画网等20家网络新闻媒体隆重报道,作品深受社会各界的关注和好评!
Now, Mr. An Baoquan's calligraphy attainments have reached a superb level, and his works are good at walking in block letters, combining Chairman Mao's poems, Tang poetry and Song poetry, Buddhist scriptures, and Chinese classics subtly. The style is magnificent, elegant, unrestrained, rich in artistic conception, quiet as undiscovered talent, bodhisattva sitting in meditation, moving like flowing water and flying while dancing. The combination of Chinese excellent traditional culture and Mao Zedong Thought's profundity and profound, which highlights the spirit of striving for progress in New China, won the favor of scholars, farmers, businessmen and the people, made people watch it, purified their souls, concealed their thoughts, and made their sentiments noble. The beautiful mountains and rivers, the light of the sun and the moon, the charm of Jin Ge, and the curl of tang style are consistent with the kindness home, the home of workers and peasants, and the fashion home. They are unique "exotic flowers of Sanjin". In 2016, "Calligraphy Exhibition for the 95th Anniversary of the Founding of the People's Republic of China", An Baoquan's works "Northern Scenery" and "Great Sadness Mantra" on the fifth floor were exhibited. In June, 2016, the three-story Heart Sutra Pagoda applied for a design patent, using the design product name Buddhist handicraft (three-story Heart Sutra Pagoda). In August of the same year, a solo exhibition of "Heart Sutra Pagoda" and "Great Sadness Mantra" was held in Wutai Mountain. In August 2017, he was invited by Chinese enterprises to be selected as a "model figure of contemporary painting and calligraphy art innovation" and reported by many media such as China Danqing.com, China Painting and Calligraphy.com, China.com and Phoenix.com. In March, 2018, he was invited to attend the "Two Meetings of Giving Gifts to Focus People in Painting and Calligraphy". His works were grandly reported by 20 online news media such as Phoenix.com, Sina.com, China News.com, China.com, China Financial Watch.com, China Enterprise Report, and China Painting and Calligraphy.com, and they were deeply concerned and praised by all sectors of society.
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空不异色 乾善正果
——记著名书法家安宝全
Empty, different colors, good deeds, good results.
-Remember the famous calligrapher An Baoquan
书法家如果只是一位书法家,那么很难从匠的层面晋升到法的高度。当代著名书法家安宝全先生之所以脱去一身匠气,有了功立三山巅的文化功德,并有凝聚乾善文化品牌一亿六千万人民币的价值力量,根本原因他是修行者,觉法悟道,既作书法的碑帖修炼,也作弘法布道的文化弘扬,所以荣身益世,功德无量。
If a calligrapher is only a calligrapher, it is difficult to be promoted from the level of craftsman to the level of law. The reason why the famous contemporary calligrapher An Baoquan took off his craftsmanship, had the cultural merit of standing on the top of the three mountains, and had the value power of condensing the brand of doing good culture of RMB 160 million. The fundamental reason was that he was a practitioner, aware of the law and enlightened the way, practicing calligraphy as an inscription, and carrying forward the culture of preaching the law, so he was proud of the world and had unlimited merits.
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文化界有论"齐白石的虾,徐悲鸿的马,安宝全的塔"这句提到安宝全的艺术造诣,不是说"安宝全的书法",而是把书法二字换成了塔,此谓何因,又因何缘,才有这样的正果?
Cultural circles have said that "Qi Baishi's shrimp, Xu Beihong's horse, An Baoquan's tower" mentioned An Baoquan's artistic attainments, not "An Baoquan's calligraphy", but changed the word calligraphy into a tower. Why, and why, have such positive results?
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根本原因是他用精湛的书法技法创新文化形态,并开拓了一条弘扬佛法的新路径!此论说得是"安宝全合作的书法"以示其书法成就不俗,纵然是名冠天下,也无法涵盖先生依书法弘佛法的文化功德。原来先生用精湛的小楷写心经,心经并非从左到右的旧范式,而是字字错落有致,层层结构出佛塔的新形态。
The fundamental reason is that he innovated the cultural form with exquisite calligraphy techniques and opened up a new way to carry forward Buddhism! This theory is called "An Baoquan's cooperation calligraphy" to show that his calligraphy achievements are not bad. Even if he is famous in the world, he can't cover his cultural merits of advocating Buddhism according to calligraphy. Originally, Mr. Wang wrote the Heart Sutra in exquisite lower case. The Heart Sutra is not an old paradigm from left to right, but a new form of pagodas with patchwork of words and layers
安宝全作品
心经字字珠玑,全是般若。他结构佛塔,即是圣物,这种文化新构建,亘古未有,令人在读心经得智慧的过程中,还可以循塔瞻佛,妙得觉悟,那空不易色,色不易空的玄机妙意,不再是难懂难悟的字眼,而是形而上地变成了向佛向善者心头的莲花,循攀三层、五层、九层,心无挂碍,畅神其间,无苦疾灭道,开汝之悟,镇汝之宅,引心念从此岸到彼岸,离苦得乐,自在必然。
The heart sutra is full of prajnaparamita. His structure of the stupa is a holy thing. This new culture has never been built before. In the process of reading the heart and gaining wisdom, people can also follow the pagoda and realize it. The mysterious meaning that is not easy to color and color is not easy to empty is no longer a difficult word to understand, but a metaphysical lotus flower that turns to the heart of the Buddha and the good person. It climbs three, five and nine floors, and the heart is unimpeded and smooth
安宝全作品
他的书法博涉多修,小楷之法修魏晋、修唐法,笔墨圆融而干净,严谨而清净,与黄庭经、灵飞经法度相承,永传古今。他的大笔行草书法,落笔沉着,起笔痛快,有弘严之风,也有诸法非法的空无,字字写慧根,笔笔泊善修,一位修行觉悟者,作书法并不是只作书法,还有普渡众生的仁与善。
His calligraphy involves many revisions, and his calligraphy in lower case is revised in Wei and Jin Dynasties and Tang Dynasty. His pen and ink are harmonious, clean, rigorous and clean, which is the same as Huang Tingjing and Lingfei Sutra. His large amount of cursive calligraphy, with calm writing style and happy writing style, has the style of being vigorous and strict, but also has the illegal emptiness of various laws. He writes Huigen every word, keeps good practice with pen and pen, and is an enlightened practitioner. His calligraphy is not just for calligraphy, but also for the benevolence and goodness of all beings.
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所以他的书法求于法,修于善,执于仁,是书法与人格魅力修成正果的表现。书法非书法,名为书法。万缘皆灭心不灭,善不灭,他写心经并能悟心经、写大悲咒悟善修,已经不着书法之相,还是专心弘扬文化的境界。一件作品200000万人民币每平尺,虽然是价值连城,但是他却豁然达观:由它去,不关我。若有黄金来,普渡人生去,本来无一物,绝未惹尘埃。六祖得坛经,安宝全的乾善品牌亦是经典。他有得法论经的境界,所以乾善文化品牌价值过亿时,先生仍旧能视之自然。由此修念修行,可得阿耨多罗三藐三菩提!恒河沙金,不可衡量!
Therefore, his calligraphy strives for the law, cultivates the good, and adheres to the benevolence, which is the expression of calligraphy and personality charm. Calligraphy is not calligraphy, it is called calligraphy. Everything is immortal, and the good is immortal. He writes the Heart Sutra, can understand it, writes the Great Sadness Curse, and realizes good practice. He is no longer interested in calligraphy, but concentrates on carrying forward the cultural realm. A piece of work is worth RMB 2,000,000 per square foot, although it is priceless, but he suddenly has an open mind: let it go, it's none of my business. If there is gold, Purdue will live, but there is nothing in the world, which never causes dust. Six ancestors get the altar sutra, and Anbaoquan's Ganshan brand is also a classic. He has the realm of doing the right thing, so when the brand value of doing good culture exceeds 100 million yuan, Mr. Wang can still see it as natural. From this study and practice, you can get three bodhi with three advantages! Ganges sand gold, immeasurable!
著名书画评论家 田继学
2020年5月17日
Famous painting and calligraphy critic Tian Jixue
May 17, 2020
安宝全作品
奇人有奇迹书法最是缘
一般人认为佛教是宗教,这种认识是对的,但不全面。佛教有宗教的属性,还有哲学的本质,也是文化的承载,其中还有科学的道理。比如举个例子,佛学所讲的“因果”不但是个宗教词汇,也是一个科学道理。你把开关拉下来,电通了,灯就亮了,这是科学性的因果关系。所以不要一提因果,就感觉是违心的。我们需要站在更广泛的视解,对佛学佛论有新认识。当观赏到书法家安宝全先生的书法作品时,感觉他对佛学的认识与机缘都是超乎寻常的,他的书法修炼与创作,都基于机缘产生了许多有价值的证果。所以研究并欣赏安先生的书法,也可以经其牵引,对佛学的文化价值有一个突破性的认识进程
佛教讲因讲果。从因到果必需有缘,缘说来很奇妙,事实上时时刻刻都发生。你今天有墨有笔有纸,作书法的因都在,但今天未必会产生书法这个结果。但是,今天有人慕名而来,向你求佳作一幅,有缘人来,于是你就拿起笔来写书法,写书法的缘就来了。缘来成就因果。佛不渡无缘之人,笔墨亦不送无缘之人。安宝全先生之所以不停地创作书法的奇缘,是因为他与佛、与待渡之人、与待要放下之事都有缘,安宝全先生用自己的书法修行,在因与果之间架桥,渡人化事,功德无量,这是他的书法为什么受欢迎,为什么有人缘、普缘、善缘、书缘的重要原因。
续凡属缘起,皆不凭空。有人就疑惑了,同样写书法,为什么安宝全能写着写着,就写成了乾缘书法这个文化品牌,而我写书法怎么就难结机缘呢?这个事,从佛的角度来讲,就有些玄奥了,因为与佛有缘,是需要有善根悟性的。这个道理和神秀为什么成不了六祖,而慧能则可以传承衣钵的道理是一样的。由此类推,安宝全先生有的这些奇人奇迹恐怕别人是没有的:他的生日是农历二月初八,这是个玄机日,因为当日佛祖释迦牟尼出家之日。有此一缘,又善续善缘,所以万缘不休,于是他写书法就因为与佛有天缘,再经过碑帖磨砺的续缘,自然就可以作心经成觉悟,以缘护法,以缘释法,做到了别人无法做到的机缘事。
究其一点,安宝全与佛有机缘,又有慧根,所以缘来事成,书法就是修佛的证果了,这就是乾善文化发展公司能脱颖而出,成为觉悟阿耨多罗三藐三菩提的大缘处所的原因吧。
世有奇事,很难说透!但可以慢慢解悟。乾善文化品牌,不是凭空产生的,必是机缘造成的“果”,当安宝全先生得到了这个果之后,他的修行就有持果渡众生的保障。如果没有修行,有果亦非果,果得而失之是常见!当然,发生在安宝全先生身上的奇人奇迹还有许多,不必一一细论,有一缘足可以畅神三世,觉悟空有!
安宝全先生的书法是练出来的,他深知佛缘与文化的双重保障力,才可以让善念成善果,所以得书法之缘,又有书法之修,深师碑帖,不遗余力,一位与佛有缘有慧根的人,又有文化修养的日进十阶经历,让安宝全先生的书法成为播善缘作福报广撒人间的大智慧。大家可以想一想,虽然有佛缘,但是书法写得一团糟,是不是也莫能做善!正是因为书法功夫深厚,佛缘继天机,所以他才成为文化的、哲学的、佛学的、修行的、证果的“三晋奇葩”。
安宝全先生的书法诸体博涉,楷书逼近唐法峰顶,笔笔要妙,字字金书,用生而知之愤发,学而悟之参透的大智慧作书法,功力上乘,作经抄论,可以荣身益世!所以五层《大悲咒》、三层《心经宝塔》才成了乾善文化品牌的核心!乾善文化作为一个知名文化品牌,有着非常高的市场价值,但是这个牌子的“心”是无价的,由安宝全执掌乾善品质的文化之“心”,相信这个品牌会因为弘扬文化的本质属性,成为万众皈依的心灯!
孔子美术馆馆长:江继良
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