邴文政,1935年出生于山东烟台市。受家族和亲属的影响和熏陶,自幼酷爱书法及诗词艺术,对书法、篆刻悟性高,且能举一反三。现为中国老年书画研究会会员,中国书法家协会会员,中国文化艺术界联合会名誉顾问,中文联文化艺术联艺会艺术委员会会员,中国特级书法家。
Gao Wenzheng was born in Yantai City, Shandong Province in 1935. Influenced and edified by family and relatives, he loved calligraphy and poetry art since childhood, and was highly savvy about calligraphy and seal cutting, and could draw inferences from others. Now he is a member of China Senior Painting and Calligraphy Research Association, Chinese Calligraphers Association, honorary consultant of China Federation of Culture and Art Circles, member of Art Committee of Chinese Federation of Culture and Art Association, and Chinese super calligrapher.
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2010 年11月获第七届中国文化艺术政府奖“文华奖”的“最佳创作奖”;
2015年1月获中华人民共和国文化部艺术组委会“神笔传奇艺术家”荣誉称号;
2015年1月世界吉尼斯评定为“世界艺术巨匠”荣誉称号。
书法篆刻母子一带一路万岁图在世界巡展中,被意大利博物舘收藏。
In November 2010, he won the "Best Creation Award" of the 7 th Chinese Culture and Art Government Award "Wenhua Award"; In January 2015, he was awarded the honorary title of "Magic Legend Artist" by the Art Organizing Committee of the Ministry of Culture of the People's Republic of China; In January 2015, Guinness World was awarded the honorary title of "World Master of Art". Long live the belt and road initiative, the mother and son of calligraphy seal cutting, was collected by the Italian Museum in the world tour exhibition.
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1995年退休后才正规地系统学习书法、篆刻常识和理论,并临摹各种字帖,经过三年多的系统自学,1998 年开始创作,二十多年来,本着“不跟风,不越轨(书法的底线),求结台,寻欣悦的原则”,以“玩”的心态,初步形成有自己风格的书法、篆刻作品。
After retiring in 1995, I studied calligraphy and seal cutting common sense and theory formally and systematically, and copied all kinds of copybooks. After more than three years of systematic self-study, I began to create in 1998. For more than 20 years, I have initially formed calligraphy and seal cutting works with my own style with the mentality of "playing"
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书法和篆刻的结合
一是书法和篆刻的结合。受广西永福县夫子岩母子百寿图的启发,创作出各体手写百寿图,后来刻了千方寿印,千寿图以及万寿图,形成书法篆刻系列作品;
Combination of calligraphy and seal cutting One is the combination of calligraphy and seal cutting. Inspired by the centenary pictures of Fuziyan mother and son in Yongfu County, Guangxi, he created handwritten centenary pictures of various bodies, and later engraved thousands of birthday seals, longevity pictures and longevity pictures to form a series of calligraphy seal cutting works;
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集字书法
二是集字书法。曾以阵列式写了二百幅百寿图,后又创作出乐园、醉仙、星舞、鹰击长空、凤还巢、农家乐、八仙过海、十面埋伏,耕云种月等几十种不同的作品,力图提高书法的趣味,使其成为书法艺术;
Jizi calligraphy Second, the collection of characters calligraphy. He once wrote 200 pictures of the centennial birthday in an array, and then created dozens of different works such as paradise, drunken immortals, star dance, eagle striking the sky, Feng Haichao, farmhouse music, eight immortals crossing the sea, flying in ambush, Yun Geng planting the moon, etc., trying to improve the taste of calligraphy and make it an art of calligraphy;
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探索水墨书法
三是探索水墨书法。在榜书创作中采用宿墨、水破墨、墨破水、宣纸溃水等国画大泼墨手法,笔法中采用偏锋、侧锋、拖笔等创作出了水墨榜书龙、虎、寿、荷、佛及六字之内短句书法。在独字中展现墨分五色,在点线中纵向、横向都有墨色变化;
Explore ink calligraphy The third is to explore ink calligraphy. Su Mo, water breaking ink, ink breaking water, rice paper breaking water, etc. are used in the creation of the second book, and the brush strokes are used to create the calligraphy of dragon, tiger, longevity, lotus, Buddha and short sentences within six characters. In the single character, the ink is divided into five colors, and the ink color changes vertically and horizontally in the dotted line;
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国学典籍恢复原貌
四是国学精典恢复原貌。创作了甲骨文和简牍书法两种字体,书写了易经乾挂,老子道德经八十一章和论语名句选,并用小行书写译文,让国人读懂国学精典;
Restoration of Chinese classics to their original appearance Fourth, the classical Chinese studies were restored to their original appearance. Created two fonts, Oracle bones and bamboo slips calligraphy, wrote the dry hanging of the Book of Changes, the 81 ST chapter of Laozi's Tao Te Ching and the famous sentences of the Analects of Confucius, and wrote translations in small lines to let the Chinese people understand the classics of Chinese studies;
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围绕中华传统文化进行创作
五是围绕中华传统文化进行创作。包括寿文化、龙文化、福文化、道教文化、佛教文化、酒文化、龙凤等图腾文化、诗词文化等,也常配自作诗词,使传统文化和当代结合,达到古为今用的目的。
Create around Chinese traditional culture Fifthly, creating around Chinese traditional culture. Including longevity culture, dragon culture, blessing culture, Taoist culture, Buddhist culture, wine culture, totem culture such as dragons and phoenixes, poetry culture, etc., they are often accompanied by self-made poems, which combine traditional culture with contemporary, and achieve the purpose of making the past serve the present.
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名家点评:
中书协领导点评:邴文政老师的每一件作品都能引人驻足观看。无论在书法本体上,还是在书法的形式感上,都能够给我们提供很多思索和想象的空间,他的作品给我的第一个感觉是绘画与书法的结合; 第二个感觉是写实与写意的结合;第三个感觉是传统和现代的结合。作品很大气,同时变化丰富,可以说书法的灵魂应该就是变化中的统一,书法事业是发展的,如果只用传统模式,书法艺术早就结束了,正因为具有时代性,才使这门艺术发扬光大,应该说邴文政先生是一个榜样,他的作品让我们以后的创作都离不开人文精神、人文关怀。他是一个思考型的艺术家,在虚和实里面,他取了虚;在侧和正里面,他取了侧;在线和面里,他取了面,他的艺术创作是原创的,是个性的。
Famous reviews: Comments by the leaders of the Chinese Book Association: Every piece of the works of Teacher Li Wenzheng can attract people to stop and watch. No matter in the noumenon of calligraphy or the sense of form of calligraphy, it can provide us with a lot of space for thinking and imagination. The first feeling that his works give me is the combination of painting and calligraphy; The second feeling is the combination of realism and freehand brushwork; The third feeling is the combination of tradition and modernity. The works are very atmospheric and varied at the same time. It can be said that the soul of calligraphy should be the unity in change, and the cause of calligraphy is developing. If only the traditional mode is used, the art of calligraphy would have ended long ago. It is precisely because of the times that this art is carried forward. It should be said that Mr. Li Wenzheng is an example, and his works make our future creations inseparable from humanistic spirit and humanistic care. He is a thinking artist, in the virtual and real, he took the virtual; On the side and inside, he took the side; On line and in noodles, he took noodles. His artistic creation is original and individual.
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