杨继林,笔名根艺,字墨泉,号玄武堂,1955年出生,浙江湖州人士。国家民族画院画家。现为中国企业文化促进会企业艺术家工作委员会副秘书长,客居京华。
继林六岁学习书面,手幕心追,楷学唐欧,行效“二王”。注重法古创新,集大家之所长,又有幸得到多位名家的指点,书画艺术水平更上一层楼,创作出独属于自己的书逼技法—“湖笔艺术”。其作品多次在比赛中获得银奖并被收入大典出版。在2009年庆祝中华人民共和国成立六十周年的各项大赛中又一举夺得优秀奖、一等奖、金奖等。在建党九十周年书画比赛中获得艺术奖,并被授予“爱国书画名家”荣誉称号。2017年10月31日,参加在中国文联文艺家之家举办的“庆祝十九·大不忘初心跟党走—一企业优秀书画作品展”。其作品广受国内外友人的青睐。
Yang Jilin, born in 1955 in Huzhou, Zhejiang Province, has the pen name Genyi, calligraphy and ink table, and the name Xuanwu Hall. Painter of national national academy of national painting. He is currently the Deputy Secretary-General of the Working Committee of Enterprise Artists of China Enterprise Culture Promotion Association, and lives in Jinghua. After Lin was six years old, he studied writing, followed the curtain with his hands, learned Tang Europe with his model, and acted as the "two kings". Pay attention to the innovation of ancient law, gather everyone's strengths, and have the honor to get the guidance of many famous artists. The painting and calligraphy art level is by going up one flight of stairs, and create its own unique calligraphy technique-"Hubi Art". His works have won silver prizes in many competitions and have been included in the grand ceremony for publication. In 2009, he won the Excellence Award, First Prize, Gold Award, etc. in various competitions celebrating the 60th anniversary of the founding of the People's Republic of China. He won the Art Award in the Painting and Calligraphy Competition for the 90th Anniversary of the Founding of the People's Republic of China and was awarded the honorary title of "Famous Patriotic Painting and Calligraphy Master". On October 31, 2017, he participated in "Celebrating the 19th Do not forget your initiative mind's Walking with the Party-Exhibition of Excellent Paintings and Calligraphy Works of an Enterprise" held at the Literary and Art House of the China Federation of Literary and Art Circles. His works are widely favored by friends at home and abroad.
杨继林作品
中国民族建筑研究会书画艺术专业委员会执行秘书长张占云点评:
Zhang Zhanyun, Executive Secretary of national architecture institute of china Painting and Calligraphy Art Professional Committee, commented:
杨继林先生的作品,实乃是将根雕艺术与水墨丹青相融统一的佳作。其中既可见其在根牌艺术上的不凡造谐—功底斓熟刚劲,刀下风生水起,造型新颖别致,富有时代气息;又可见其融雕刻之功入丹青之中的匠心独具,整体上看骨力刚健,布局疏朗,层次分明,以沉着有力而厚重坚实的线条精准地表现了根雕的形态和质感,表现出根的盘结、连理、粗细交错等不同变化,形成了丰富多彩的曲线类,让观者浮想联扁,回味悠长。
Mr. Yang Jilin's works are really excellent works that combine root carving with ink painting and painting. Among them, it can be seen that it is extraordinary in the art of root brand-the foundation is ripe and strong, the sword is flourishing, the shape is novel and unique, and it is full of the times; It can also be seen that it is unique in its ingenuity to integrate carving into Danqing. On the whole, it has strong bone strength, sparse layout and distinct layers. It accurately shows the shape and texture of root carving with calm, strong and heavy lines, showing different changes such as root knot, connection, thickness interlacing, etc., forming a colorful curve class, which makes the viewer fantasize about joining flat and has a long aftertaste.
杨继林作品
苍劲古朴妆新梅,根绘新奇绘花神
—记著名画家杨继林
The vigorous and simple makeup plum, the root painting novelty painting flower god-Remember the famous painter Yang Jilin
当代著名画家杨继林先生拥有非常精港的根雕技法,技法传承来源于家学的兴盛。他在根雕界已是声名显赫,但是他不止步于一门技法的磨砺,而是把根雕审类的丰富积淀迁移到绘语中,让根雕艺术的奇特造型与绘画艺术的流丽色彩相互碰撞融合,生成了根雕梅花的奇特艺术形式,可谓是传承的创新!
画梅花有王冕的古代墨梅,以意境称雄;也有关山月的当代梅画,以悦目为功。但无论是王冕画墨梅还是关山月画艳梅,都有既定的范式在起关键的作用,依范式而绘,这是中国画技法的传承结果,所以梅题千年,制作的现象就比较明显,创新的形态就非常少见。反观杨继林先生的梅题奇绘,绝然与古不同,与众不同!完全是基于根雕艺术而创建出的梅题新功!
他画梅花枝干,不是执笔范式写意,而是富有奇观地把梅枝画成了钢打铁铸铜质金感的根桩!有油语的写实风格,光影随行,透视立体。也有根难的意窝形态,盘根错节,筋骨赫然,造型奇悦!画出来的根雕形态,如真可触,触之弘音,有相当强烈的艺术张力,成为画法工笔,面韵写意的双功合成佳品。仅看这画出来的根难,就有无穷的视觉魅力,更为神奇的是,在根雕意象塑造的基础上,然后依形赋梅花,红蜂热烈,风姿卓然,梅花的艳丽、根雕的苍动显成强烈的对比效果:枝为钢打,花为娇艳,古朴映傲气,天地花神绘!
单独的根雕,绝然不会拥有花的灼艳生机。旧式梅花绘,绝然不会拥有枝的雄姿张力。杨继林先生把根雕立骨,花绘传神的两面法度合为一体,让根雕妆新梅,拥有了独树一帜的语题新建树!喻清风之高阁,万花谁与比焉,天上地下,画里画外,再也找不出这份梅花的精气神!
苍动古朴妆新梅,根绘新奇绘花神。他是造型表现主义的大师,所以形态以服务极致神态为目的。他也是色彩铺陈的表现主义大家,所以施色饱满,必定要塑造出让人看到心动、心醉、心畅的色韵奇观,磅而礴,伟而岸!拥有造型表现的极致法力,又有色彩渲染的非凡才华,所以他不但逼梅花卓显天地奇观,也用青绿、水墨去塑造天地纹理的精彩,画山水水墨交融,赋青绿雅致,纹理劲道,姿态万千。一幅山水画,可视为案头把玩的盆景山石。一架盆景,又或是独与天地精神往来的云烟风神!他的画笔可以沟通近观与远观,游走于虚实,把空不易色,色不易空的禅机表现的既入视党,也入法理。唯有技法斓熟,心法透彻,才可以像他这样用笔墨写意天地,修成卓越奇能!
著名书逼评论家刘振明
2019年8月
杨继林作品
Mr. Yang Jilin, a famous contemporary painter, has excellent root carving techniques, and the inheritance of these techniques comes from the prosperity of family studies. He is already famous in the field of root carving, but he does not stop at the honing of a technique, but migrates the rich accumulation of root carving to the painting language, so that the strange shape of root carving art and the beautiful color of painting art collide with each other, resulting in the strange art form of root carving plum blossom, which can be described as an innovation of inheritance! Painting plum blossoms has the ancient ink plum in Wang Mian, which is dominated by artistic conception; There are also contemporary plum paintings by Guan Shanyue, which are dedicated to pleasing the eye. However, both Wang Mian painting Mo Mei and Guan Shanyue painting Yan Mei play a key role, and drawing according to the paradigm is the result of the inheritance of Chinese painting techniques. Therefore, the phenomenon of making Mei for thousands of years is obvious, and the innovative form is very rare. On the other hand, Yang Jilin's beautiful paintings are absolutely different from the ancient ones. Completely based on the root carving art, it created a new achievement of plum topic! He painted plum branches, not as a freehand brushwork, but as a root pile with a sense of steel, iron and copper. Realistic style with oil language, accompanying with light and shadow, perspective three-dimensional. There is also a difficult form of meaning nest, which is intertwined, impressive in bones and muscles, and wonderful in shape! Painted root carving forms, such as touching and touching, have strong artistic tension, and become a good product of double-work synthesis of meticulous painting and freehand facial rhyme. Just looking at the root difficulty drawn by this painting, there is infinite visual charm. What is even more amazing is that, on the basis of shaping the image of root carving, plum blossoms are assigned according to their shapes, and the red bees are warm and graceful. The gorgeous plum blossoms and the pale movements of root carving show a strong contrast effect: the branches are made of steel, the flowers are delicate and charming, the simplicity reflects pride, and the heavens and the earth are painted with flowers! A single root carving will never have the brilliant vitality of flowers. Old-style plum blossom painting will never have the majestic tension of branches. Mr. Yang Jilin combines the two aspects of root carving and vivid painting into one, so that root carving makes up new plum and has a unique topic to build a new tree! Yu Qingfeng is on the shelf, who is better than others, in heaven and earth, outside the painting, can no longer find out the essence of this plum blossom! Cangdong simple makeup plum, root painting novelty painting flower god. He is a master of modeling expressionism, so the form aims at serving the ultimate expression. He is also an expressionist who expresses his colors, so when he is full of colors, he must create a wonderful color rhyme that makes people see the heart move, be enchanted, and have a smooth heart, which is as big as a pound and as great as a shore! With the extreme magic power of modeling and the extraordinary talent of color rendering, he not only forced plum blossom to show wonders of heaven and earth, but also used green and ink to shape the wonderful texture of heaven and earth, painting landscape and ink blend, endowing it with green and elegance, strong texture and myriad gestures. A landscape painting can be regarded as a bonsai rock for desk play. A bonsai, or a romantic spirit with the spirit of heaven and earth alone! His brush can communicate the close view and the far view, wander in the actual situation, and express the Zen machine which is not easy to color and color, not only into the party, but also into the legal theory. Only when the technique is well-versed and the mind is thorough, can we use pen and ink to enjoy the world like him and make it a remarkable wonder! Famous books force critic Liu Zhenming August 2019
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