张泗端,号端石,中共党员,1953年生。当过知青、工人,戎马半生。毕业于解放军政治学院,首都师范大学书法研究生课程班。现为国家民族画院、中国书画院院聘书法家;中国楹联学会会员;中国民族建筑研究会书会艺术委员会客坐教授。经故宫博物院书画鉴定专家鉴定的我国当代最具收藏价值艺术家。
Zhang Siduan, Hao Duan Shi, a member of the CPC, was born in 1953. When educated youth, workers, military life. Graduated from the PLA Political College, capital normal university calligraphy graduate course class. Currently, he is engaged as a calligrapher for the National Academy of Ethnic Paintings and the Chinese Academy of Calligraphy and Painting. Member of Chinese Couplets Association; The Art Committee of the national architecture institute of china Book Society met with a visitor and sat down as a professor. The most valuable contemporary artist in our country who has been appraised by experts of calligraphy and painting appraisal in the Palace Museum.
培根铸魂
书法艺术上,秉承恩师欧阳中石“作字行文,文以載道,以书煥采,切時如需”的书学思想;堅持“重传統,隨时代,求自我”的书法学习理念,堅持书法的传統性和民族性,堅持艺术为人民、为时代服务的创作方向。习书半个世纪,创作书法作品三千多幅,數十次參加国际国內书法展賽、活动,2019年 11月在民族文化宫举办了“翰墨讴歌中国梦,丹青凝铸民族魂”个人书法展,有广泛的社会影响。获原文化部“建国六十周年文艺创作突出贡献奖”等多种荣誉和称号。在儒道释,诗词等传统文化上有所用功。
In the art of calligraphy, the calligraphy thought of mentor Ouyang Zhongshi is followed: "write words and write prose, write articles to convey the truth, refresh and adopt books, and meet the needs of the times". Adhere to the calligraphy learning concept of "valuing tradition, seeking self with the times", adhere to the tradition and nationality of calligraphy, and adhere to the creative direction of art serving the people and the times. After half a century of studying calligraphy, he has created more than 3,000 calligraphic works and participated in dozens of international and domestic calligraphy exhibitions and activities. In November 2019, he held a personal calligraphy exhibition in the National Cultural Palace entitled "Calligraphy Praises the Chinese Dream, Painting Concludes National Soul", which has a wide range of social influence. He has won many honors and titles from the former Ministry of Culture, such as "Outstanding Contribution Award for Literary Creation on the 60th Anniversary of the Founding of the People's Republic of China". He studied hard in traditional culture such as Confucianism, Taoism and Buddhism, poetry and so on.
大道之行,天下为公
擅作楷书、行书、草书、榜书,作品有突出的个人风貌。2009年上海世博会期间,时年90高龄的中国美术家协会前顾问王琦先生撰文,称书法已达“性道一体,道法自然”之境界。2013年,中国人民对外友好协会成立六十周年之际,欧阳中石、沈鵬、冯远、言恭达诸先生对其楷书、行书、草书、榜书作出“给人以全新的审美愉悦”的高度評价。
He is good at regular script, running script, cursive script and placard, and his works have outstanding personal features. During the 2009 Shanghai World Expo, Mr. Wang Qi, a 90-year-old former consultant of the Chinese Artists Association, wrote an article saying that calligraphy has reached the state of "integrating nature with Taoism, and following nature". In 2013, on the 60th anniversary of the founding of the Chinese People's Association for Friendship with Foreign Countries, Mr. Ouyang Zhongshi, Mr. Shen Peng, Mr. Feng Yuan and Mr. Gongda Yan spoke highly of his regular script, running script, cursive script and placard "giving people a brand-new aesthetic pleasure".
榜书精忠报国
欧阳中石、沈鹏、言恭达、冯远等高度评价张泗端书法
为庆祝中国人民对外友好协会成立六十周年,2013年11月,中国友好艺术交流院编撰《中国风 中国梦---当代友好艺术使者》一书,该书编委欧阳中石、沈鹏、言恭达、冯远等对入编该书的书法艺术家张泗端的作品作出如下评价:
楷书作品,既有《多宝塔》的端庄谨严,又有棱角分明、骨力刚劲的柳书风貌,在颜筋柳骨的圆融中让人体味到一种全新的审美愉悦。
行书作品,在一派米书特有的骏快飞扬的艺术节律中,以其特有的清爽遒劲,表现的线条是那样淋漓酣畅,更融入一份《兰亭序》的清新俊朗,个性十分突出。
Ouyang Zhongshi, Shen Peng, Gongda Yan and Feng Yuan spoke highly of Zhang Siduan's calligraphy In order to celebrate the 60th anniversary of the establishment of the Chinese People's Association for Friendship with Foreign Countries, in November 2013, the Chinese Academy for Friendship and Art compiled a book entitled "Chinese Style, Chinese Dream-Messenger of Contemporary Friendly Art". Editors of the book, including Ouyang Zhongshi, Shen Peng, Gongda Yan and Feng Yuan, made the following comments on the works of Zhang Siduan, a calligraphy artist who was included in the compilation of the book: Regular script works not only have the modesty and preciseness of "Duobaota", but also have the angular and strong style of Liu Shu, which gives people a brand-new aesthetic pleasure in the harmony of Yan Jin and Liu Gu. The running script works, in the artistic rhythm of galloping steeds peculiar to a school of rice books, are characterized by their unique freshness and vigor, their lines are so dripping and smooth, and they are even more integrated into the fresh, handsome and outstanding personality of a preface to orchid pavilion.
华夏民族风
作为书体中境界最高的草书,最能表现书者的感情和艺术造诣。草书是一门严谨、精微的艺术。书家中凡涉猎草书并有独特风貌者,无不具有特殊的才能、天分和气度。观赏张泗端先生草书,我们感到,是其道德情操、性格气质、学识修为等诸多修养支撑着他对这门艺术的驾驭。
榜书作品磅礴气势,体现出其深沉的功力。榜书丰富了书法的表现力,是书法艺术进入当代以来一个不可或缺的重要表现形式,但这不是一般书家练上三五年就可以写到此般效果的。
As the cursive script with the highest level in calligraphy, it can best express the feelings and artistic attainments of the calligrapher. Cursive script is a rigorous and subtle art. All calligraphers who dabble in cursive script and have unique style and features have special talents, talents and tolerance. Looking at Mr. Zhang Siduan's cursive script, we feel that it is his moral sentiment, personality, knowledge and accomplishments that support his mastery of this art. The work of the notice book is of great momentum and shows its deep capability. The notice book enriches the expressive force of calligraphy and is an indispensable and important form of expression since the art of calligraphy entered the contemporary era. However, it is not something ordinary calligraphers can write about in three to five years.
铁肩椽笔联
重传统随时代求自我
书法创新简述:张泗端
书法创新是一篇很大的文章。以一篇短文来阐述,只能提纲挈领。我个人的体会是,要重传统。这是创新之基。中国的书法是古老的,有三千多年的历史;中国的书法是特有的,世界上其他民族没有这门艺术。这就使中国的书法有一个质的规定性:用特有的工具纸墨笔砚,写中国的汉字。当然,这里所说的汉字可以是真草隶篆任何一种书体。以汉字为书写对象的书法,有笔法,字法,章法,墨法这样至少四个方面的规则。四个方面的规则以外,尚有印法(怎么钦印),裱法(怎样装裱)等法可依。对这些规则的不同把握,形成不同风格、不同品位、不同审美价值取向的书法作品。
Emphasizing Tradition and Seeking Self with Times A Brief Introduction to Calligraphy Innovation: Zhang Siduan Calligraphy innovation is a great article. To elaborate in a short passage, only outline. My personal experience is to attach importance to tradition. This is the foundation of innovation. Chinese calligraphy is ancient and has a history of more than 3,000 years. Chinese calligraphy is unique. Other nations in the world do not have this art. This makes Chinese calligraphy have a qualitative stipulation: write Chinese characters with special tools such as paper, ink, pen and inkstone. Of course, the Chinese characters mentioned here can be any kind of calligraphy style of real Caoli seal script. Calligraphy with Chinese characters as its writing object has at least four rules: brushwork, calligraphy, composition and calligraphy. In addition to the four rules, there are printing methods (how to print) and mounting methods (how to mount) and other laws to follow. Different understandings of these rules have resulted in calligraphy works of different styles, tastes and aesthetic values.
与时代同步伐,以人民为中心
狭义地说,重传统,就是要重视这些最基本的在书法技法表现方面、在形式展示方面的传统。在优秀的书家看来,在他要创作的每幅作品中,几乎每个汉字都有一个从艺术角度来讲的、最佳的表现姿态,这个字,在他心中,当他书写的时候,一笔下去就能准确地表现出来,这就是工夫,这就是传统功力。达到和养成这种功力,需要训练,其中最根本,最重要的继承方式是临帖。就技术层面来说,书法家水平的不同,往往就是这样的功夫的深浅的不同。
In a narrow sense, emphasizing tradition means paying attention to these most basic traditions in calligraphy techniques and forms. In the eyes of an excellent calligrapher, in every work he wants to create, almost every Chinese character has its best performance from an artistic point of view. In his mind, when he writes, the character can be accurately displayed in one stroke. This is the time and this is the traditional skill. To achieve and develop this skill requires training, of which the most fundamental and important way to inherit is to apply. On the technical level, calligraphers with different levels often have different levels of kung fu.
充海养先联
书法是中国传统文化的重要载体,书法作为文化,它还有广义的传统,或者说,书法作为文化、作为民族精神展示和表达的一种特殊的艺术表现形式,它还包涵着做人的传统。历史上,仅就写字的能力来说,有些人的字有一定艺术表现力,但是,因为人格分裂,道义缺失,我们并不看好他甚至蔑视、鄙视他。所以,做一个书法家,首先是做一个好人。北宋权相蔡京,凶狠奸诈,擅权误国,民间有"打了桶,泼了菜,便是人间好世界"的歌谣,而以祭侄稿传世,又义殉蔡州的颜真卿却留下了"丹心昭日月,浩气存千秋"的美名。
Calligraphy is an important carrier of Chinese traditional culture. As a culture, calligraphy also has a broad tradition. In other words, calligraphy as a culture, as a special artistic expression of national spirit, also includes the tradition of being a human being. Historically, as far as the ability to write is concerned, some people's words have certain artistic expression. However, due to split personality and lack of morality, we do not value him or even despise him. Therefore, to be a calligrapher is first to be a good person. Northern Song Dynasty's power looks like Cai Jing. He is vicious and treacherous. He is good at power and misses his country. The folk song "If you beat a barrel and pour food, you will be a good world in the world". However, Yan Zhenqing, who handed down his nephew's manuscript and sacrificed his life for Cai Zhou, has left behind the good name of "showing the sun and the moon through his heart, and preserving the vigor for the future".
七律,再宣誓
要随时代。这是创新之的。唐代书法家、书法理论家孙过庭的《书谱》有一段话:"质以代兴,妍因俗易,驰鹜沿革,物理常然。"简而言之,就是笔墨当随时代。我们处在实现伟大民族复兴的中国梦这样一个重要历史时期,讲创新,就是要在继承书法传统的基础上,在艺术上有新意,内容上日日新。围绕实现中国梦的所思、所想,所感、所悟来创新。近几年,我创作的一些书法作品,如榜书"实干兴邦"、草书"岳阳楼记名句"、行楷对联"壮志凌云中国梦,宵衣旰食公仆心","无畏官清缘禄减,不难民静爱山高"、"充海阔天高之量,养先忧后乐之心"等作品,都是创作反映时代需要的作品的尝试。
To keep pace with the times. This is innovative. There is a passage in Sun Guoting's Book of Calligraphy, a calligrapher and calligraphy theorist of the Tang Dynasty: "Quality is a substitute for prosperity, beauty is a result of vulgarity, evolution is a pursuit, and physics is Chang Ran." In short, ink should follow the times. We are in such an important historical period as the realization of the Chinese dream of the great national rejuvenation. When we talk about innovation, we should inherit the calligraphy tradition and be innovative in art and new in content day by day. Innovation revolves around the thoughts, thoughts, feelings and realization of the Chinese dream. In recent years, some calligraphy works that I have created, such as the placard "strengthening the nation through hard work", the cursive "Yueyang building famous sentences", the running script couplet "top gun China dream, eating the heart of a public servant through clothes and clothes", the "fearless government officials with clear connections and reduced salaries, not refugees who still love mountains and heights", the "vast sea and vast sky, and the heart of caring first and happy afterwards", are all attempts to create works that reflect the needs of the times.
毛泽东七律
要求自我。这是创新之魂。我的老师欧阳中石先生对合格的书法作品的基本要求是"来有所出,去见其才"。这里的"来有所出,是传统,"去见其才",就是书法家个人的风格。可以说,没有风格,便没有艺术,没有个性,也没有艺术。基于这样的认识,多年来,我通过临帖,创作,否定,再临帖,再创作,再否定,这样一个循环往复的过程,使书法作品有了些个人面貌。受到社会的关注和专家的好评。上海世博会期间,时年90高龄的中国美术家协会顾问王琦老前辈,对我的书法作品给予了"以达性道一体,道法自然"的评价。去年末,欧阳中石、沈鹏、冯远、言恭达诸先生又对我的书法作品进行了集体评议,对我的书法作品在继承、创新上给予了充分肯定,艺术前辈的鼓励,增强了我进行书法创新探索的信心。
Ask yourself. This is the soul of innovation. My teacher Mr. Ouyang Zhongshi's basic requirement for a qualified calligraphy work is "to be creative and to meet his talents". The "coming and going is a tradition" and "seeing talent" here is the calligrapher's personal style. It can be said that without style, there is no art, no personality, and no art. Based on this understanding, over the years, I have given calligraphy some personal features through a cyclic process of posting, creation, negation, posting, re-creation, and negation. It has received the attention of the society and the favorable comments of experts. During the Shanghai World Expo, Wang Qi, a 90-year-old consultant of the Chinese Artists Association, gave my calligraphy works an evaluation of "integrating nature with Taoism, and following the natural law". At the end of last year, Mr. Ouyang Zhongshi, Mr. Shen Peng, Mr. Feng Yuan and Mr. Gongda Yan made collective comments on my calligraphy works, giving full recognition to my calligraphy works in terms of inheritance and innovation. The encouragement of art predecessors has strengthened my confidence in carrying out calligraphy innovation exploration.
李白望月有怀
张道涻咏梅
草书易经句
张泗端书法
行书济南诗词各一
杜甫春夜喜雨
小篆杜甫绝句
小篆张籍宿江店
秋天诗四首
成都诗四屏
楷书《文天祥《正气歌》
