李俊生,汉族,1956年生,山西省万荣县,现为国家一级美术师。中国民族建筑研究会书画艺术专业委员会委员、理事会副主席,《企业家日报·艺术投资》周刊编委会副主任、中央国家机关书协会员、中国楹联学会会员,中国互联网联盟副主编。
2010年1月入编《中国书画家大辞典(当代卷)》,在第十三届中国当代实力派书画拍卖评选中被评为“2010年最具艺术市场投资人物”,被授予“特级书法家”称号。
Li Junsheng, Han nationality, born in 1956, Wanrong County, Shanxi Province, is now a national first-class artist. National architecture institute of china's Calligraphy and Painting Committee, Vice Chairman of the Council, Deputy Director of the Editorial Board of Entrepreneur Daily Art Investment Weekly, Member of the Central State Organization Calligraphy Association, Member of the Chinese Couplets Association, and Deputy Editor-in-Chief of the China Internet Alliance. In January 2010, he was included in the compilation of the "Dictionary of Chinese Calligraphers and Painters (Contemporary Volume)" and was awarded the title of "2010 Most Investment Person in Art Market" and "Super Calligrapher" in the 13th auction of Chinese Contemporary Powerful Calligraphers and Painters.
李俊生作品
2017年11月参加在重庆举办的主题为“城市更新与文化传承”的中国民族建筑研究会第二十届学术年会,其作品《千幅图》受到企业家的一致好评,并收录在《翰墨文化传承者》特刊中,在中国民族建筑研究会第二十届学术年会现场赠阅给与会企业、领导代表。作品《千幅图》成功被企业精英收藏。
In November 2017, he participated in the 20th annual academic conference of national architecture institute of china held in Chongqing with the theme of "urban renewal and cultural heritage". His work "Thousand Pictures" was well received by entrepreneurs and included in the special issue of "Heritage of Calligraphy Culture" and presented to participating enterprises and leading representatives at the 20th annual academic conference in national architecture institute of china. The work "Thousand Pictures" was successfully collected by the elite of the enterprise.
李俊生作品
2018年1月作为新时代书画大家荣登《美中时报》《中国企业报》,在全国及全球发行。同年6月受邀参加在四川宜宾举办的“书画名家共庆改革开放四十周年暨第二届‘古建与书画之美’优秀作品展”,其作品《千幅图》深受领导专家级企业届老总关注好评,并被企业收藏。2018年10月20日受邀参加在国家民委多功能厅举办的“新时代·新使命·新征程”民族书画艺术发展峰会。
In January 2018, as a new era calligrapher and calligrapher, he was listed in "Every Times" and "China Enterprise Newspaper" and was distributed nationwide and globally. In June of the same year, he was invited to participate in the "40th anniversary of the reform and opening-up and the 2nd" ancient architecture and beauty of calligraphy and painting "outstanding works exhibition" held in Yibin, Sichuan province. his work "thousands of pictures" was well received by the leaders of expert-level enterprises and was collected by enterprises. On October 20, 2018, he was invited to attend the "new era, new mission, new journey" national calligraphy and painting art development summit held in the multi-function hall of the national people's Committee.
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2019年1月5日在国家民族文化宫成功举办“民族记忆翰墨传承—李俊生个人书法展”。
2019年4月被聘为中国教育联盟终身客座教授。
2019年8月被聘为中国民族建筑研究会书画艺术专业委员会客座教授。
On January 5, 2019, the "national memory calligraphy inheritance-Li junsheng's personal calligraphy exhibition" was successfully held in the national cultural palace for nationalities. In April 2019, he was hired as a lifetime visiting professor of China Education Alliance. In August 2019, he was hired as a visiting professor of national architecture institute of china Calligraphy and Painting Art Committee.
李俊生作品
权希军对李俊生的作品点评:
——权希军
权希军评价李俊生作品:赏李俊生先生书法,其书法作品充满着浑厚的文化底蕴,从中可看出作者厚积薄发的文化修养;作品风貌;运笔遒劲,结构灵动多变、圆活流转,《千福图》作品字里行间内蕴无穷,古趣盎然,充满张力磁性。他注重笔画之轻重、缓急、圆方、动静、刚柔,形成古拙朴茂、典雅灵动之美。从整体上看,挥洒自如,轻松灵动,足以观照到创作者娴熟的技艺。从笔法、用墨、布局、章法等来看可谓心平气和,兴到笔随、随意挥洒、尽情尽兴,作品还渗透着一种质朴。独具丰富而有内涵的自家风格,表现出极强的功力。
其巨作《盛世千福》更是表达了作者李俊生先生对于传统文化的理解及中华民族深厚的情怀及殷殷祝福。希望李俊生老师在书法的道路上创作出更多精彩作品,为中华民族传统文化做出更大贡献,取得更好成就。
Quan Xijun's Comments on Li Junsheng's Works; -Quan Xijun Quan Xijun commented on Li Junsheng's works: admire Mr. Li Junsheng's calligraphy. His calligraphy works are full of rich cultural details, from which we can see the author's cultural accomplishment of accumulating wealth and making thin hair. The style of the work; The pen is vigorous, the structure is flexible and changeable, and the circle moves freely. The works of "Thousand Blessings" contain endless meanings between the lines, full of ancient interest and tension magnetism. He paid attention to the order of strokes, priorities, roundness, movement, hardness and softness, forming the beauty of Gu Zhuo's simplicity, elegance and flexibility. From the overall point of view, it is easy to write freely and nimble, which is enough to witness the skillful skills of the creator. From the perspective of brushwork, ink usage, layout, composition, etc., it can be said that he is calm and peaceful. He enjoys writing freely and enjoys himself to the fullest. His works are also permeated with a kind of simplicity. The unique rich and connotative style of oneself shows great skill. His masterpiece "Prosperous Times and Thousand Blessings" also expresses the author Mr. Li Junsheng's understanding of traditional culture and the deep feelings and good wishes of the Chinese nation. I hope that teacher Li Junsheng will create more wonderful works on the road of calligraphy, make greater contributions to the traditional culture of the Chinese nation and achieve better achievements.
李俊生作品
结识李俊生先生,始于结识其书法艺术。
古今中外,大凡有造诣书法家均能将其对传统书法艺术的独到领会迹化于创作中,形成独到其书法艺术风貌和魅力的语言与词汇,而渐成一格,李俊生既是其中之一。
李俊生书法,初于端庄隽秀,一路用功,得其方圆兼各之法,尽现舒展潇洒之意。注重笔画之轻重、缓急、圆方、动静、刚柔,形成古拙朴茂、典雅灵动之美。厚重处蕴育着静而博大之势,无雕饰而露纯朴,去妩媚而显刚正。如晨闻嘹亮的号角,战鼓连天,壮士临阵,披盔戴甲,慨当以慷,充满阳刚之气,让人振奋;又宛如山中曲折而下的溪涧,泉水叮咚,清脆悦耳,给人以遐想;又恰似荷塘月下聆听远处缥缈的歌声,使人陶醉。
一分耕耘,一分收获。冰冻三尺非一日之功,是也。三伏数九,躬耕不息。幽阁孤灯,全忘丑时几更,悚然鸡鸣,恨晨光之窃窘迫相。“不戚戚忧贫贱,不汲汲求富贵”,随遇而安,知足常乐,悠哉悠哉。
唐齐壬虔僧《笔意赞》曰:“书之妙道,神采为上,而形质次之”李俊生恰到好处地将“神采”与“形质”巧妙地柔和在一起,因而李俊生书法显现出传统的深厚功底与造诣。“文则数言乃成其意,文则一言现其心”诚信也。李俊生之正直、豪迈、真诚与坦率给我留下至深的印象。
艺无止境,书途遥远,人书俱老。相信李俊生先生在以后会不遗余力地去追寻、探索艺术真谛。
——沈鹏
Getting to know Mr. Li Junsheng started with his calligraphy. At all times, at all times, at home and abroad, all accomplished calligraphers can trace their unique understanding of traditional calligraphy into their creations, forming unique language and vocabulary with unique artistic style and charm of calligraphy, and gradually becoming one of them, Li Junsheng being one of them. Li Junsheng's calligraphy began with modesty and elegance. He studied hard all the way and got his own way of doing things in both the countryside and the city. He showed his natural and unrestrained intention. Pay attention to the order of strokes, priorities, roundness, movement, hardness and softness, forming the beauty of Gu Zhuo's simplicity, elegance and flexibility. The thick and heavy place has the potential of being quiet and broad, showing simplicity without carving, charm and integrity. For example, when one hears the clarion call in the morning, the battle drums are loud and clear, the strong men get cold feet and wear helmets and armour. They are generous and full of masculinity, inspiring people. It is also like a meandering stream in the mountain. The spring water is ding dong, crisp and melodious, giving people daydream. It is also like listening to distant ethereal songs under the lotus pond moon, making people intoxicated. No pains, no gains. Rome wasn't built in a day, it was. The number of three volts is nine, and the cultivation is continuous. The lonely lamp in the secluded pavilion completely forgets the ugly hours and the crowing of chickens. It hates the theft and embarrassment of the morning light. "Don't worry about the poor or the needy, don't be anxious for riches and honor", be content with the situation, be content with it, and be at ease. Tang Qiren's monk "Praise of Writing Meaning" said: "The best way to write a book is to look good, and form and quality take second place." Li Junsheng skillfully blends "look" and "form and quality", thus Li Junsheng's calligraphy shows its traditional deep foundation and attainments. "Wen means a few words, but Wen means a word." Honesty is also true. I was deeply impressed by Li Junsheng's integrity, heroism, sincerity and candour. Art is endless, books are far away, people and books are all old. I believe Mr. Li Junsheng will spare no effort to pursue and explore the true meaning of art in the future. -Shen Peng
李俊生作品
斐然有神 妙趣横生
——解读李俊生书法艺术
我和很多热爱书法艺术的朋友一样,是从李俊生先生的书法作品认识他的,是他的作品吸引了我,久而久之,使我对他有了深刻的了解。
李俊生有着深厚的书法理论基础,良好的汉字书写功底,广识博学的综合文化素质,刻苦认真的自学毅力与创新精神,优秀的艺术道德境界和艺术品格,这便使他的书法艺术有了灵气和生命力。
综观他的书法作品使人感到新而不薄,华而不媚,成篇作品不失法度,少字作品不失大器,柔刚相济,雄秀并举,血肉丰满,结构天成。师古而不泥古,求新而不取宠。此乃“众多古人铸于心,予以笔,集百家之长融于他自己。”
他的书法肥而有骨,骨肉相济,活泼而灵动。那用笔的多变,章法的烂熟,上下的映带,左右的顾盼,错落起伏,跃然纸上。在那流动的线条中,方圆、疏密、大小、长短、粗细、浓、淡、枯、湿多变灵活。大气磅礴如行云流水,真可谓标新立异、匠心独具,已有了自己独特的笔法和别具一格的艺术表现形式。
他的艺术魅力不仅仅给人以艺术欣赏,而且给人以精神享受。他的作品, “柔中有刚、秀中见奇,乃笔爽爽而有神助。”我 “赏罢李俊生的书法,再理解书中内容,真有沐浴、更衣、焚香之后捧读线装书之感。线香、墨香、字香、文香四香皆溢,鼻舒、眼悦、心旷、神怡四享俱佳。”写出了读者的真情实感。
他并没有骄傲,他认为书法的最高境界是写心、写思想、写感情。李俊生先生的书法已达到了这一境界。他把传统的书法技巧有机地同现代书法相结合,用抽象的奇妙书法技巧大胆地创新,其丰富的墨色变化妙不可言,字一笔书就,一气呵成,俨然蛟龙戏水,巨龙游天,把写意画的用笔手法溶入字中,字中有画,画为字用,行笔错落起伏,气度非凡,使观者叫绝。写出了他对笔墨人生的感悟。
对于李俊生先生来说,书法是他一生的热爱和追求,也是因为这份执着,他的人生比平常多了几份坎坷,也多了几份精彩。
万般皆下品,唯有读书高,书法家李俊生,他以外若飞仙,飘逸洒脱,内似硬汉,刚筋铁骨,一笔一划写出恒久的人格魅力。他甘于寂寞,以天生的素质对书法这种艺术的醉梦般的钟情使自己一步一步地走向了书法艺术的殿堂。
-----欧阳中石
Brilliant, divine and interesting -Interpretation of Li Junsheng's Calligraphy Art Like many friends who love calligraphy art, I know Mr. Li Junsheng from his calligraphy works. It is his works that have attracted me. Over time, I have gained a deep understanding of him. Li Junsheng has a deep foundation in calligraphy theory, good writing skills of Chinese characters, comprehensive cultural qualities of wide knowledge and erudition, self-study perseverance and innovation spirit, excellent artistic moral realm and artistic character, which makes his calligraphy art have aura and vitality. Looking at his calligraphy works, one feels that they are new but not thin, elegant but not flattering, complete works do not lose statutes, works with few words do not lose great skills, works with softness and hardness combine together, works with both strength and beauty combine together, flesh and blood are plump, and structures are natural. Learning from the past but not from the past, seeking new things but not gaining favor. This is "a lot of ancient people cast their pen in their hearts and collected hundreds of talents into themselves." His calligraphy is fat and bony, and his flesh and blood are in harmony. He is lively and active. The changeful use of the pen, the thorough understanding of the rules, the upper and lower reflection bands, the left and right glance, the random ups and downs, leap from the paper. In the flowing lines, the radius, density, size, length, thickness, consistency, lightness, dryness, wetness are changeable and flexible. The majestic atmosphere is like flowing clouds and flowing water. It is truly unique and has its own unique brushwork and artistic expression. His artistic charm not only gives people artistic appreciation, but also gives them spiritual enjoyment. His works, "There is strength in softness, and curiosity in show. It is refreshing and divine." I "admire Li Junsheng's calligraphy and understand the contents of the book. I really feel like reading thread-bound books after showering, changing clothes and burning incense. The four scents of string, ink, character and literature are all overflowing, and the nose, eyes, heart and mind are all excellent. " Write down the reader's true feelings. He is not proud. He believes that the highest level of calligraphy is to write hearts, thoughts and feelings. Mr. Li Junsheng's calligraphy has reached this level. He organically combined traditional calligraphy skills with modern calligraphy, and boldly innovated with abstract and wonderful calligraphy skills. Its rich ink color changes are wonderful. The words are written in one stroke, with one stroke, just like dragons swimming in the water and dragons swimming in the sky. He integrated the pen technique of freehand brushwork into the words. There are pictures in the words, and the pictures are used for the words. The strokes are scattered and undulating, with extraordinary bearing, which amazed the viewers. He wrote down his understanding of pen and ink life. For Mr. Li Junsheng, calligraphy is the love and pursuit of his whole life. It is also because of this persistence that his life is more bumpy and wonderful than usual. Everything is inferior. Only Li Junsheng, a calligrapher who is highly educated, is a flying immortal, elegant and free and easy. He looks like a tough guy in the inside. He is tough and tough. He writes a long-lasting personality charm one by one. He is willing to be lonely, and with his natural quality, his dreamy love for calligraphy has led him step by step to the palace of calligraphy. -Ouyang Zhongshi
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