【大笔书盛世翰墨展风华】中国当代艺术名家——姚日强

2021-02-08 10:55作者:丽丽

姚日强,陕西渭南临渭区赤水人。中国书法家协会会员、国家一级书法师。中国互联网联盟全国外联部主任,中华捻管第一人“姚体书法”,姚氏捻管太极书法创始人。

Yao Riqiang is a native of Chishui, Linwei District, Weinan, Shaanxi Province. Member of Chinese Calligraphers Association, national first-class calligrapher. Director of the National Outreach Department of China Internet Alliance, the first person in China to twist the tube, "Yao Ti Calligraphy", and the founder of Yao's twisting Taiji Calligraphy.

姚日强作品

2017年5月中国文联、中书协在人民大会堂举办全国书法大赛获一等奖。草书《念奴娇·追思焦裕禄》九米长卷,整八尺《马》被国家重要机关收藏。联合国丝路论坛主席鲁长军授予“神笔姚”荣誉称号。渭南师范学院特聘民间艺术专家。《兰亭雅韵》杂志称姚日强为“里程碑式的书法大家”。2018年元月被授予十大名家称号,2018年“大众春晚”授予姚日强“姚氏捻管太极书法表演艺术家”称号;2021年全国两会权威推荐“德艺双馨”人民艺术家荣誉称号。

In May 2017, the China Federation of Literary and Art Circles and the Chinese Calligraphy Association held the National Calligraphy Competition in the Great Hall of the People and won the first prize. The cursive script "Nian Nujiao Remembering Jiao Yulu" is a nine-meter-long volume, and the whole eight-foot "Horse" is collected by important state organs. Lu Changjun, Chairman of the United Nations Silk Road Forum, awarded the honorary title of "Shen Bi Yao". Weinan Teachers College is a special folk art expert. "Lanting Yayun" magazine called Yao Riqiang a "milestone calligrapher". In January 2018, he was awarded the title of Top Ten Famous Artists. In 2018, "Popular Spring Festival Evening" was awarded the title of "Yao's Twisted Tube Taiji Calligraphy Performance Artist" by Yao Riqiang; In 2021, the National People's Congress authoritatively recommended the honorary title of People's Artist "De Yi Shuang Xin".

姚日强作品

省级及市级作家八、九位给姚日强写书法书写评论文章,四十余篇,现在有位贤达给姚日强写三十万字人生书法总结……。姚日强己将书写的:字法、笔法、章法、技法,的法则己总结成册,使学习者有法可依,有章可询,很快就掌握了学习技巧,推动书法艺术发展,才真实响应习主席文化兴国的号召,使书法艺术更上一层楼!!!

Eight or nine provincial and municipal writers have written calligraphy and writing criticism articles for Yao Riqiang, with more than 40 articles. Now there is a sage who has written 300,000 words of life calligraphy summary for Yao Riqiang. Yao Riqiang has summed up the written rules of calligraphy, brushwork, composition and technique into a book, so that learners can have laws to follow and chapters to consult, and quickly master the learning skills and promote the development of calligraphy art, so as to truly respond to President Xi's call for rejuvenating the country by culture and make calligraphy art by going up one flight of stairs! ! !

姚日强作品

在任何时侯书写从不折格,内容多少,片幅大小写出来的效果恰如其分,任何人都做不到,是前无古人后无来者,真乃一奇,因他是上天派下凡完成书法艺术使命的,是无人可比的,是可带动中国书法的,他己总结出书写法则,供学习者:有据可依,有章可询的,按法则很快就能学习好书,法,而前人是没留下什么学习的东西,只是照猫画虎,是学不出来的,他就有东西,补了宝贵的法则,是对中国书法发展起到极大的贡献……。

At any time, writing is never broken, the content is much, and the effect of the size of the film is just right. No one can do it. It is really strange, because he was sent from heaven to complete the mission of calligraphy art, which is unparalleled and can drive Chinese calligraphy. He has summed up the writing rules for learners: according to the law, there are rules to consult, and he can learn good books soon.

姚日强作品

五十个春秋研究三个绝无仅有的书法艺术:

Studying three unique calligraphy arts in fifty spring and autumn;

1.书写捻管用笔转动360余度。顺笔画的方向,自然捻管转动360度达到行云流水之效果。

1. The pen of the writing twister rotates for more than 360 degrees. Along the stroke direction, the natural twisting pipe rotates 360 degrees to achieve the effect of flowing clouds and flowing water.

2.用太极功法:闪、斩、腾、挪巧妙地融到书写之中,真乃难能可贵。

2. Using Tai Chi skills: flash, chop, soar and move skillfully into writing, which is really commendable.

3.将气功功法融入,打通小周天,是气至笔端而力透纸背。

3. Incorporating qigong skills and opening up a small Sunday is the way of reaching the end of the pen and penetrating the back of the paper.

该书法刚柔兼备,诡异新奇、波澜壮阔,气吞山河,极具视觉冲击力,开创了前无古人的书法事业,成为我国书法史上划时代的里程碑。

This calligraphy is both rigid and soft, strange and novel, magnificent, swallowing mountains and rivers, and has great visual impact, creating an unprecedented calligraphy career and becoming an epoch-making milestone in the history of Chinese calligraphy.

姚日强作品

中书协主席苏士澍评价:书法是一门艺术可谓“仁者见仁,智者见智”,不可一概而论,观姚日强的作品给我印象非常深刻尤其是他的书法,他的书作中充分体现出了书法严正、流畅、雄强、古拙。他的书法则凝重洒脱、气势磅礴、厚重沉稳、端正大气,不求态而无态不备,不求美丽而美蕴其中。姚日强书法讲究字法、笔法、章法。

Su Shizhu, Chairman of the Chinese Calligraphy Association, commented that calligraphy is an art, which can be described as "the benevolent sees benevolence, while the wise sees wisdom", which cannot be generalized. I was deeply impressed by Yao Riqiang's works, especially his calligraphy, which fully reflects his solemn, smooth, strong and Gu Zhuo. His calligraphy is dignified, free and easy, magnificent, heavy, calm, upright, and does not seek beauty but is unprepared. Yao Riqiang's calligraphy pays attention to the style of writing, brushwork and composition.

姚日强作品

字法:聚点画而成字,“平衡对称,对比和谐,主次得宜,疏密适度,多样统一。”

Word method: The words are drawn together, "balanced and symmetrical, contrasting and harmonious, appropriate in primary and secondary, moderate in density, diverse and unified."

笔法:因体而变,稳实丰富,法出奋源;笔力遒劲、力透纸背。

The style of writing: it changes with the body, is stable and rich, and the method comes from the source of excitement; The writing power is strong and penetrating the back of the paper.

章法:字与字,行与行之间笔势连绵,节奏分明,如“行云流水”,即所谓“疏处可以走马,密处不使透风。”姚日强书法作品善于在严格的法度之中自由驰骋并施展其创作才能,他往往任情恣性,纵笔所如,使人看出他们的“无拘无束”,即所谓“出新意于法度之中,寄妙理于豪放之外”。希望姚日强先生在书法的道路上创作出更多精彩作品。

Composition: The strokes between words and lines are continuous, and the rhythm is clear, such as "flowing clouds and flowing water", that is, the so-called "sparse place can walk, and the secret place does not make the wind leak." Yao Riqiang's calligraphy works are good at galloping freely in the strict testimonies and displaying his creative talents. He often likes his own feelings and writes freely, which makes people see that they are "free", that is, "making new ideas in the testimonies and sending wonderful reasons out of the bold". I hope Mr Yao Riqiang will create more wonderful works on the road of calligraphy.

姚日强作品

中书协名誉主席张海评价:我觉得其就是抛弃了前人或者是今人正在走的那一条寻找古人足迹超前迈进的道路。现在很多人似乎不愿意说“反传统”这三个字,他就是反传统。反传统不等于不好,从传统来,走自己的路。当然,他不像别人走传统的路一样,这就是姚日强的高明之处。中国的书法家非常多,中国有思想的书法家非常少。我很欣赏姚日强的这种学术路径。他是想好了才去做的,有人说书法不可设计,可是在姚日强的书法里,处处看到他的经营和设计理念。我们今天看他的作品,已经不能以传统意义上的书法来看待。他与众不同的地方就在于他思考传统,反思传统,这是他对当前书法的最大贡献。

Zhang Hai, honorary chairman of the Chinese Book Association, commented: I think it is abandoning the road that predecessors or present people are taking to look for the footprints of the ancients. Nowadays, many people seem unwilling to say "anti-tradition". He is anti-tradition. Anti-tradition does not mean that it is not good. Come from tradition and go your own way. Of course, he doesn't follow the traditional path like others, which is the genius of Yao Riqiang. There are many calligraphers in China, but there are very few calligraphers with ideas in China. I appreciate Yao Riqiang's academic path. He didn't do it until he thought it over. Some people say calligraphy can't be designed, but Yao Riqiang's calligraphy is full of his management and design ideas. Today, when we look at his works, we can no longer look at them in the traditional sense of calligraphy. What makes him different is that he thinks and reflects on tradition, which is his greatest contribution to current calligraphy.

姚日强作品

姚日强先生在传承和发展书法艺术经历了多少冬夏,夏练三伏,冬练三久,每天凌晨四点,先活动身休,打打太极,书写练到七点,是雷打不动,晨练空气清新,脑子清醒,才可在练习中悟到真谛,这样坚持了近二十年。曲不离口,拳不离手,不论在行走、坐、卧都在为一个笔划反复琢摩后,然后完全掌握达到贤熟,所以我总结成书写的法则,以传承和发展古老书法艺术起到了决定性的贡献!

In inheriting and developing calligraphy art, Mr. Yao Riqiang has gone through many years, such as winter and summer training, three long winter training, four o'clock in the morning every day, first taking a rest, playing Tai Chi, and practicing writing until seven o'clock. It is hard to beat the thunder, the morning exercise is fresh and his mind is clear, so that he can realize the true meaning in practice. This has persisted for nearly 20 years. The music never leaves the mouth, and the fist never leaves the hand. No matter when walking, sitting or lying, they are repeatedly polished for a stroke, and then they are completely mastered and mastered. Therefore, I summed up the rules of writing and made a decisive contribution to inheriting and developing the ancient calligraphy art!